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Interview with Will Dailey

Will Dailey
Photos by Michael Spencer

Boston's Will Dailey
 has his roots planted in classic rock and the local Boston music scene but his ambitions are high and successful. Dailey sat down with the Deli to talk about Neil Young,Brendan Boogie's Cover-up, and how to cultivate your first musical influences.

Dailey is playing the Somerville Theater with Tim Gearan and Dwight and Nicole on February 5th for Dwight and Nicole's CD release, Signs. Take my word for it. This show is a once in a lifetime show. I bet all my jellybeans it will be an intergalatically stellar night.

Deli: How would you describe your music?

Will Dailey: That's always the hard question, how would you describe your music? It's probably best described as where I want to take it and not where it's been. Writing songs and performing them makes me happiest and I'd say the music I write is a reflection of the music that has always influenced me in a way.

--Read the whole interview by Meghan Chiampa HERE

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Deli Best of Local Scenes 2009 Final Summary - don't miss these bands!

The Deli's Year End Polls for emerging artists are a great opportunity to catch up with all the most exciting up and coming bands that left a mark in the previous 12 months. Don't forget to check out these bands as they might hit it big in 2010 (if they haven't already!).

AUSTIN BEST EMERGING ARTIST OF 2009STEREO IS A LIE


Also check out
Missions (2nd place overall)
Neon Indian (3rd place overall)
Black Joe Lewis (3rd place overall)
Austin Overall Chart - Austin Fans' Chart

CHICAGO BEST EMERGING ARTIST OF 2009I FIGHT DRAGONS


Also check out
Hey Champ (2nd place overall)
Netherfriends (3rd place overall)
Chicago Overall Chart - Chicago Fans' Chart

LOS ANGELES BEST EMERGING ARTIST OF 2009LOCAL NATIVES


Also check out:
Fitz & The Tantrums (2nd place overall)
Crash Kings (3rd place overall)
Light FM - (Fans' Poll Winners)
LA Overall Chart - LA Fans' Chart

NEW ENGLAND BEST EMERGING ARTIST OF 2009MEAN CREEK


Also check out:
Michael Bernier and the Uprising (2nd place overall)
Jesse Dee (3rd place overall)
McAlister Drive - (Fans' Poll Winners)
New England Overall Chart - New England Fans' Chart

NASHVILLE BEST EMERGING ARTIST OF 2009THOSE DARLINS


Also check out:
Non Commissioned Officers (2nd place overall)
Protomen (3rd place overall and Fans' Poll winners)
Nashville Overall Chart - Nashville Fans' Chart

NYC BEST EMERGING ARTIST OF 2009TALK NORMAL


Also check out:
Freelance Whales (2nd place overall)
Bear in Heaven (3rd place overall)
Midnight Spin (Fans' Poll winners)
NYC Overall Chart - NYC Fans' Chart

PHILLY BEST EMERGING ARTIST OF 2009READING RAINBOW


Also check out:
Grandchildren
(2nd place overall)
Free Energy (3rd place overall)
Levee Drivers
(Fans' Poll winners)
Philly Overall Chart - Philly Fans' Chart

PORTLAND BEST EMERGING ARTIST OF 2009EXPLODE INTO COLORS


Also check out:
Nurses
(2nd place overall)
Bodhi (3rd place overall and Fans' Poll winners)
Portland Overall Chart - Portland Fans' Chart

SAN FRANCISCO BEST EMERGING ARTIST OF 2009: GIRLS


Also check out:
Man/Miracle
(2nd place overall)
Or, The Whale (3rd place overall and Fans' Poll winners)
Orchestra of Antlers (Fans' Poll winners)
SF Overall Chart - SF Fans' Chart





People Under the Stairs, Kenan Bell, Budo and Grieves, D-Tension - Jan 23rd Middle East Downstairs

Starting the set was a cat out of Lowell, MA: D-Tension. I’ll admit that beforehand, I had very little faith in this man’s ability to rap (and, even more so, his ability to perform) based the silliness of his name and his hometown. It would only be after his set was over that I’d realize how mistaken I’d been; how pseudonyms are rarely ever indicative of ability, no matter how bizarre or obnoxious they might seem (cf. Ol’ Dirty Bastard, Jay Electronica) and how where a performer comes from doesn’t really matter. Even if not many MCs have come from there before.

Admittedly, the fact that he didn’t do much but stand at center stage, wireless mic in hand, annoyed me somewhat. But, for the first time in a while, I really didn’t care. He was just too damn nice. Spitting 92-era lyrics over productions which seemed like they had spawned from Ali Shaheed Muhammad’s twenty-year-old fingertips (though this is very unlikely, I understand), D-Tension had me laughing. And not in a condescending way; it might be easy for some to mock this acknowledged self-deprecator with beats like a school kid and raps like “Ya Mama”, but if you were paying attention at all to D-Tension’s set you would’ve realized how genuinely happy the guy was to be there, spitting his rhymes, opening for People Under the Stairs. He never once broke stride: two-and-a-half-minute song, banter, two-and-a-half-minute song ad infinitum. In a rap world where self-propagation often leads to straight up falsehood, it’s nice to see someone not care if he’s not on top of the world and have some fun with hip hop.

I don’t have much to say about Budo and Grieves’ . Honestly, the only thing that struck me about this set was how UN-struck I was, which was strange, because Budo’s music still attracts me to the point of repeat-playing. I guess I’ll just have to see them again.

On a track, Kenan Bell sports deft lyrical control with a voice so high up in his sinuses sometimes it sounds like the guy could use a good nose-blowin’. I really didn’t know what to expect from Kenan Bell, beyond several well-produced songs and a quick tongue on the mic. What followed was a set that I can say was the best I’ve seen at the Middle East Downstairs, hip-hop-wise.  And, lest I forget, his band played some damn funky music right from the get-go ( opened with “Joy and Pain”) and didn’t let up ‘till the half hour was done. The bass was pulsing so hard I swear I felt like I was getting a defibrillator shock four times per measure.

People Under the Stairs played a magnificent set which I doubt will be topped by any I see for a long time. They used the audience, encouraging participation but without resorting to those old-pony tricks ("Everybody say yeah" was as close as it got to being 1987, and only for a minute) and they made the people at the ME get  down. Jam.

--Daniel Schneider

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A quick look outside your local scene: The other Deli Best of 2009 Polls

Rockers, Folkers and Poppers of all ages, sexes and hair colors,

The Deli's regional Year End Best of Polls for emerging artists are finally over and it's time to have a quick look at what's going on outside your local scene. Here's a recap of the winners of our nine polls with links to overall charts and readers' polls results:

AUSTIN - Winner: Stereo Is a Lie
Overall Chart
- Readers Chart - list of jurors

CHICAGO - Winner: I Fight Dragons

Overall Chart
- Readers Chart

LOS ANGELES - Winner: Local Natives

Overall Chart
- Readers Chart

NASHVILLE - Winner: Those Darlins

Overall Chart
- Readers Chart

NEW ENGLAND- Winner: Mean Creek

Overall Chart
- Readers Chart - list of jurors

NYC - Winner: Talk Normal

Overall Chart
- Readers Chart - list of jurors

PORTLAND - Winner: Explode into Colors

Overall Chart
- Readers Chart - list of jurors

PHILLY - Winner: Reading Rainbow

Overall Chart
- Readers Chart - list of jurors

SF BAY AREA - Winner: Girls

Overall Chart
- Readers Chart - list of jurors

The Deli's Staff





Brendan Hoagan CD Release for Long Night Coming at Lizard Lounge on the 29th

Cambridge Singer-songwriter, Brendan Hogan will be playing at the Lizard Lounge on the 29th to celebrate the release of his first full-length album Long Night Coming.The Lizard Lounge is a very appropriate place to have the release party for Hogan, since it is the same venue he started up in, playing open-mics and sitting in with other bands.

If you like Bob Dylan you'll love Long Night Coming The album is mostly soft and very pretty with light country and Celtic accents. Some songs like "Rock Cast in the Sea" and "Big Black Car" are larger and more swingin'. "Rock Cast into the Sea" is a fast, accordion-involved piece and really stands out on the album which shows Hogan's versatility. All the lyrics are balladic or poetic and finely composed. The title track "Long Time Coming" is a beautiful and metaphoric piece, with soft but soulful vocals. The first line of the song explains the album cover, Hogan causally posed in front of the Somerville Theater.

The thing I  like about this album is the dynamic of the lyrics and music. The lyrics are incredibly dire at times, but it doesn't mater because the music that floats around the words is hopeful. (Think Dylan's "It's All Over Now, Baby Blue" or "Most of the Time")

Should be a great show and I bet you a million bucks there will be lots of special guests, local folks and lots of beer. A perfect show to see to top of the awesome month of January (honestly though, there have been some great shows this month.) Also a great album to get you through the epic awesomeness of February in New England.

--Meghan Chiampa

 

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