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KITTY COEN

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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!

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Take a Spin at The DiscOasis with The Belle Sounds

Austin quintet The Belle Sounds capture lightning in a bottle with their latest single, “All About Love.”

Within the first few seconds, they lay down a groove that reels you in, hypnotically enticing you to start tapping your feet and bobbing your head. A disco-esque rhythm dances underneath upbeat synths, a funky guitar riff, and vibrant vocals. Perfectly paired with the music is a dazzling music video that keeps viewers’ entranced for the entire four and half minutes, a towering achievement and a testament to the group's bright vision and brighter future.

Flowing with the beat  are an array of talented roller-skaters wearing scintillating outfits and surrounded by flashing neon lights. The disco-themed production meshes flawlessly with the track's ebullient atmosphere, and the skaters' he constant movement parallels the endless dancing triggered by this track. “All About Love” is one of those rare instances where the music video is as epic as the song itself. 

The Belle Sounds are reminiscent of a variety of acts, including Moon Boots, Tame Impala, and Fleetwood Mac. Yet, despite a wide range of influences, their sound is unmistakably modern and fresh, as they rejuvenate past ideas to concoct a rich, delicious sound they can claim as their own. Much of contemporary pop music is (fairly or unfairly) criticized as one-dimensional, lacking the substance and depth needed to create something timeless. However, The Belle Sounds aren't afraid push the boundaries of what pop music can be.

Though one could be forgiven for believing the group, led by husband-and-wife power duo Noëlle Hampton and André Moran, hit their stride years ago, they are continuing to manufacture tunes that are groundbreaking and continue to set trends, rather than follow them. With releases of this caliber, The Belle Sounds—always ahead of the curve—continue raising the bar for not just Austin's pop music, but pop music entirely. Check out their new EP below, and keep an eye out for shows soon.

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Indulge on a Fresh Glass of Disco Lemonade

Kitty Coen’s debut EP, “Disco Lemonade'' is officially out for the world to savor.

With every release leading up to this EP, the variety of different sounds and influences on display has continued to grow. Now that she has a more full body of work for people to explore, her artistic toolshed of skills and songwriting abilities appears larger than ever before. The 7-song slate proves that Kitty is here to stay for the long haul. Every song is unique in its own way, necessitating many listens, while also being straightforward and simple enough for the listener to easily absorb the magic of each song.

 

The album begins with my personal favorite, “Holy.” This track starts off being reminiscent of 90’s alt-rock, slowly building into a disco-ish beat that nearly guarantees a trip to the dance floor. Next is “Dark Soul,” the song that started it all for Kitty. In just three minutes, Kitty is able to blend pop, psychedelia, and electro sounds, showing that she’s far from being a one trick pony. “Lost in California” is driven by a groovy beat and features some more psychedelic vibes. Uncoindentally, the lyrics are inspired by a psychedelic experience, and Kitty’s ability to perfectly pair the instrumentation with the song-meaning is certainly uncanny.

 The EP transitions into the upbeat, latin infused title track, “Disco Lemonade.” Simply put, the song oozes sensuality and it also showcases Kitty’s ability to craft catchy, alluring vocal melodies. The next two songs, “Fade” and “Wave Side,” consist of hypnotic instrumentation with hints of dream-pop, and Kitty’s signature, Mazzy Star-esque vocal delivery. “Wave Side” in particular cultivates an atmosphere of floating through space, while also exhibiting some jaw-dropping vocals as the song progresses. Lastly, the EP concludes with a folky, acoustic driven track called “That’s Alright.” Yet again, she shows another side of her musicality, with influences of Fleetwood Mac and Bob Dylan shining through to create a 60’s/70’s soft-rock type of vibe.

What’s most impressive about “Disco Lemonade” is that no two songs sound the same. She effortlessly conveys many emotions and sounds through an entire gauntlet of different genres. This can be risky for some artists, but for Kitty, every song is uniquely her own, and the album as a whole is a fully-formed display of musical synergy. Kitty Coen’s young career is off to a blazing start. And as she continues to hone her craft even more, I think it’s safe to say her best work is still ahead of her, which is saying a lot considering that “Disco Lemonade'' is from top to bottom, a remarkable debut album.

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