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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Garage

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Your Plastic Toys

The term “Poser Pop” shows up sometimes in the words Austin’s future-leaning Your Plastic Toys have written about themselves. Check their online shit, and you’ll see those two words more than once, those two descriptors that aren’t really a genre as such, but more a stance by Your Plastic Toys on their own place in music. In our estimation, the idea is that Your Plastic Tree poses at pop, refusing to make the standard plays while still fully playing a pop game. They are as art-aware as they are pop-aware as they are experimentally on point, and their music is at once a serious approach to pop music making and a bit of a mockery of the pop that’s already out there (in the fine tradition of acts like Talking Heads, The Fugs, or the very contemporary PC Music label out of the UK). A band that views the pop rulebook through half-broke virtual reality goggles.

In that same vein, you’ll also see a lot of abstractions and hyper-modern shit on Your Plastic Toys’ various web profiles, like glitchy saturated pixel-heavy images created by the band itself, short thoughts and quotes decoupled from their source and presented as something to be considered on their own, and not a single clear photo of the band to be found. This digital obfuscation of the band, its image, its motives, its views, evokes a highly modern feeling of existing in a never ending swirl of bit-noise and net fuzz, and it’s exactly what Your Plastic Toys’ sound is like.

On the just-released album OOO, shoegaze-gone-modern swells and currents of sound layer over tight digital beats and the vocals are threaded in and out heavily tweaked and disaffected, sometimes even disdainfully so (to great effect, it must be made clear). Your Plastic Toys comes through like a band seen and heard through a diabolical storm of TV snow on a channel that’s shakily fading in and out of a 1990s tube TV in a busted up apartment with a courtyard pool in the summer. It’s music that rides on that bright burning edge of culture just curling out from the future and into the present, and that throws back a tech-addled vision of what it sees to those still lingering in the cultural past. Take a listen to one of Austin's most forward-thinking bands below, and inject their entire new album here.

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Jonesin' and the Hurt

I couldn’t have picked a better day to listen to this folk rock group, Jonesin' and the Hurt. Turning them up on the car stereo as the rain hits the window, we have no worries with their latest album Why Not?. The Entire album puts a bounce in your step with rustic roots. “Please Give Me” took my mood and transformed it with nice harmonies over a smooth groove. Get to see them touring Toronto the entire month; but, you’ll never know when you might run into them rockin' out on the corner. Check them out April 3rd @ the Bovine Sex Club.-Kris “Big City” Gies

 

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2015 Treefort Music Festival Preview: Portland Artist Highlight

The fourth annual Treefort Music Festival is proving to be the biggest one yet. Not only is it their first year as a licensed LLC, but this year’s lineup is larger than any previous year with over 400 musical acts, not to mention whole mini-festivals dedicated to comedy, performance art, technology, yoga, skateboarding, beer, and then some.

With massive national musical acts headlining the festival like TV On The Radio, Built To Spill, Foxygen, Yacht, Viet Cong, Of Montreal and !!!, just to name a few, the $139 price of a full-weekend pass is pretty much already god damned steal, and that’s barely 1.5% of the full 2015 lineup. Adding to the glory of this year’s festival, the vast array of amazing Portland bands making the trip to Boise makes Portland one of the most represented cities of the festival. Think of it as a huge rager with all your favorite Portland bands and friends, just in a new, way more fun location.

To help you sort through all of the madness, here is a quick list of some of the Deli Portland’s favorite Portland bands who will be performing at this year’s Treefort Music Festival. Find out exactly where and when they will be playing during Treefort, here

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Growl

Hark ye youngin's, and listen to a tale of ancient musical glory from yer fast-fading elders. Believe it or not, once there was a day when indie was primarily a genre that was less of a particular sound and more of a feeling. Really, it was just a term you used to refer to the weird, maybe rock-ish shit made by people that felt a little different and who didn’t fit into the regular music industry mold. It was weird, and it was kinda awkward and raw, and Growl is a band from Austin that is that weird, kinda awkward raw indie sound done right, and done right now. The record they put out late last December has been entrenched in my daily playlist since I first heard it, and while it's worth any Austinite's ear time, those who are into that old sound from the 90s and early 2000s will paritcularly love the Growl. They're a return to where this shit all came from, and their whole album is available for listening at their Bandcamp link right damn here. Listen, and bathe yourself in the echoes of the memories of late 90s youths.

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Avers new video for "Evil"

 Avers has released a new video via Nylon for "Evil," off their debut album Empty Light. It's a sinsiter track, full of hooks, with distorted vocals hovering above pounding drums, a driving bass, and screaming guitars. Like all of Empty Light, it's all analog and masterfully produced. The video is a crazy Carnivalesque basement party, drowned in drugs, and not everyone is having the best of times.

Avers is back on tour this month, heading down through the southeast before taking a right towards SXSW. You can catch them tonight in DC at Black Cat Backstage with Nashville's ELEL to wiish them luck. --Natan Press    

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