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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Folk/Country

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Listen to Talulah Paisley's somber ballad "Call," plays Mercury 2.10

There’s no rest for antifolk folk hero Talulah Paisley, who over the last three months has made a consistent habit of releasing engaging-yet-muted singles on Bandcamp, manifesting a mood board of introverted, off-the-cuff observations that showcase her prowess as an insightful songwriter. “Call” is the latest entry to this sonic scrapbook, a soft slow jam marked by a careening vocal performance against a steady acoustic accompaniment. Present are the somber similes we’ve come to expect from Paisely’s uniquely folksy craft (“squish me like your third grade putty”) amongst impressionistic observations of heartbreak — paired together, they create a grounded recollection of love and loss that makes a seemingly intangible sadness feel painfully real. Stream it below ahead of her February 10th performance at Mercury Lounge alongside Razor Braids and Dolphin Pal. Connor Beckett McInerney, Photo by Julie Orlick

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Folk/Country

Time: 
22:00
Band name: 
The Morning Sea
FULL Artist Facebook address (http://...): 
https://www.facebook.com/themorningsea/
Venue name: 
Rockwood Music Hall
Band email: 
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A Deli Premiere: "Align" by Mike Morrissey

Somerville’s Mike Morrissey is back at it with a breezy single that will kick off your weekend, and year, splendidly. Truthfully, here at the deli, we must confess we are big fans of what Morrissey brings to the deep pool of talent that resides in the city northwest of Boston he calls home: the artist has a quiet confidence about him that shines through his alternating indie-rock/indie-folk/Americana styles. In the Grant Bloom co-produced “Align,” Mike is playing with the latter style as he allows the song to brew, giving time to each acoustic guitar strum, each water-drop synth embellishment, each subterranean-like bass bump; Mike’s unaltered and tranquil vocals complete the portrait worth admiring. “Align” is a snapshot of a moment in time, brief in conception perhaps but lasting in memory; the song is a fragment to hold on to, and its tune rings clear to all who have ever stopped to remember a good time, a good person. You can catch Mike performing inside the Canopy Room of Bow Market on January 26th or visit the Aeronaut Brewing Company, where he hosts a monthly open mic, on February 5th. The track was mastered by Luke Sullivan and the bright artwork is by Belinda Riggs. We are delighted to premiere Mike’s single here for you; that alto saxophone by Callum Mackenzie at the start of the song is buttery smooth. - Rene Cobar





Folk/Country

Time: 
6:00 PM
Band name: 
Linda Draper
FULL Artist Facebook address (http://...): 
https://www.reverbnation.com/lindadraper
Venue name: 
Towne Crier
Band email: 
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Joanna Newsom Impresses at Bates Recital Hall

 

With her most recent album, Divers (2015), almost five years old at this point, it was unclear what exactly Joanna Newsom would be performing the first night of her 2020 Austin concerts. Her last Austin performance in 2016 was at the Moody Theater in full promotion of that record. With a full backing band and almost half the set coming from Divers, this show was much different: a solo tour, hilariously titled The Strings/Keys Incident. Tucked into UT’s Bates Recital Hall, the audience took their seats in the intimate space. A three story organ loomed over the stage with nothing but a harp, a piano, and a multi-colored tapestry to set the scene. This venue is usually meant for student performers, but a few seconds into her first song it was clear a true master of her craft had taken the stage. 


Opening with “Bridges and Balloons” off of her 2004 debut The Milk-Eyed Mender, her labyrinthine string plucking seemed to transport the audience away to a safer, simpler place. We were teary-eyed before the song was even finished. She continued to parade through her albums flowing to “Emily” off Ys, then moving to the piano for “The Things I Say” from Divers and Have One On Me’s “In California.” Just as the first four songs had seamlessly drifted through her entire discography, the whole set was consistently balanced between all of her releases. Even without any percussion, her syncopated playing felt oftentimes quite groovy allowing some listeners to bob their heads to the beat, while others a-rhythmically swayed in a trance. Although each song in the almost two hour performance was truly moving, a personal highlight was “Monkey & Bear.” 


One would think someone with such ethereal music would be intangibly eccentric, like Björk or Prince, but she seemed so pleasant and normal. Walking onto stage drinking tea, waving to a friend in the crowd, and genuinely funny and polite crowd banter grounded her performance in a way that transcended labels such as “freak folk” or “baroque pop.” Even though it’s so early in the year, I can not imagine a more touching or memorable musical experience topping this one.  

 

- Hayden Steckel

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