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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Electronic

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gobbinjr's psychosocial drama takes stage at Mercury on 12.06

gobbinjr is the brainchild of Wisconsin native Emma Witmer, whose rawness and minimalism in 2016 EP vom night might bring to mind a more synthpop version of Frankie Cosmos. Atop self-produced tracks filled with ethereal synths floating over slow-pulsing drum machines, and bursting with a wide variety of influences, lay Witmer’s intensely antisocial lyrics (the irony being that the songwriting itself has become the vehicle for sociability). They paint a picture of a helplessly shy writer with the song as her one authentically viable communication outlet. Lines like “I feel creepy all the time / ‘cause I like everybody more than they like me” and “maybe we all end up in space / undeserving of this friendly place” serve as social critique cloaked in the aesthetic of teenage diary entries. In this light, vom night proves to masterfully balance the head and the heart, becoming a provocative witness of the times with a simple, pop-centered approach.

You can catch their next show on Wednesday, December 6th at Mercury Lounge. - Andrew Strader

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Buzz Alert: NJ's Ehiorobo's experimental r'n'b at Escape the Routine party - Baby's All Right, 11.25

It's rare to stumble upon artists that blend tradition and experimentation, music's past and future, as seamlessly as New Jersey's avant-soul one man band Ehiorobo. Oringally from Nigeria, the guy writes and produces in his bedroom remarkably unpredictable r'n'b tunes that manage to also sound sincere and compelling. Alectronica, hip hop and jazz equally contribute to this sonic brew that never ceases to entertain. Don't miss Ehiorobo live at Baby's All Right on November 25, within the first appointment with the Escape the Routine parties, a Deli sponsored event! Tickets are here.

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Synthpop quartet Scam Avenue drops "Sailor" EP + video for "Fault Lines

Cold wave and dream pop are rather antithetical genres, but Brooklyn band Scam Avenue manages to merge them in their new Sailor EP. The images of a feeling-less future conjured by their glacial, mostly electronic arrangements is given hope by singer Devery Doleman's airy vocals and sensual melodies. The intersection between the brainy and the sensuous is also the focus of their new video for single "Fault Lines," shot on a low budget using an iPhone 7 with the help of Tyler Hubby (who directed the documentary "Completely in the Present" about NYC avant multi-media artist Tony Conrad ).

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Freakout Standouts: Moon Darling

 *photo by Jake Hanson

In all of their experimental, riff-pop glory, Moon Darling recall simpler psychedelic sensibilities, combined with some pretty endearing and crafted synth pop. The foursome is comprised of Michael Julian Escobar on vox/guitar, Michelle Nuño on drums, Matthew Buckner on keys and Jack Jay on bass, and their joint forces create soundscapes that are both classic and innovative.

Though they only played one slot at Freakout Fest, an early evening set at the Conor Byrne, the band have been up to so much more recently. Shortly before the played the fest Moon Darling debuted a new track. "By the Light of the Moon" is coming off of their upcoming January EP of the same name, a followup to their addictive Dreams

On "By the Light of the Moon" there's a point in which each member shines, be it Escobar's incredible fingerwork or gripping approach to vocals, the stark and necessary breaks of Nuño's drumming, or the enigmatic keyboarding of Buckner and Jack Jay's deliberate bass playing. The title track provides perfect insight into the rest of the EP, and they're having a release show for it on 1.25 at the Fred Wildlife Refuge with Kingdom of the Holy Sun and DJ Right Ternes, so mark your calendars.

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Abbi Press dances with herself and lemons in new video "Butterfly Effect"

Abbi Press has released a stunning video for her song "Butterfly Effect," a danceable indie-electronic tune chock-full of whimsical synth textures and accentuated by lightly, sparse percussive elements. The video, gorgeously colored and filmed almost entirely in slow-motion is dreamlike and mysterious. The integral recurring motif of the lemon is both striking and haunting- though I can't decide which feeling leaves more of an impact. One thing's for sure: this video is seriously cool, and a real treat to watch. -Geena Kloeppel

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