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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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GRANDPARENTS: New Music + Tour Kickoff 3.11

Last week Portland psychedelic sweethearts, Grandparents, debuted their brand new track "Kids In The Alley" on Vice's Noisey blog. Tomorow (3.11), they will play at Mississippi Studios along with local R&B sensation Natasha Kmeto and drone-psych lords Swahili, kicking off a 2+ week spring tour in support of a three-track cassingle release which will include stops at SXSW and Treefort Music Fests. "Kids In The Alley" showcases a dramatically matured level of production for the group, with heavily spaced out Tame Impala inspired synth trances eloquently placed between playful pop infused verses. I couldn't be more stoked for their forthcoming debut full length due out later this year. It's been a long time coming, but Grandparents are sure to be Portland's next huge deal.

- Travis Leipzig 

Photo Courtesy of Todd Walberg

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Deli Premier: Diana DeMuth's "Albuquerque" Sneak Peak

A product of woody Concord, MA, Diana DeMuth’s dark voice croons over funky but varied instrumentals on her new track “Act like a Stranger.” With both a voice and lyrical wisdom that sound beyond her years, DeMuth’s new record is packed with the classic themes of a young songwriter; the joys of love, traveling, the pains of love, traveling again, and the ever poignant nod to your home town. “Act Like a Stranger” breaks away from the mostly acoustic record “Albuquerque” with an energetic percussion intro and bright back up vocals out of some early 60’s pop tune. She’s already a force to be reckoned with solo, but Alain Mallet’s production props her up while never out-shining that voice. Some singers blow your hair back with their power, but I prefer those like DeMuth, smoothly pulling you in for a closer listen. Her new album Albuquerque will be coming out later this month on March 17th, be sure to keep an ear out for it. - Paul Jordan Talbot

Photo by Chris Macken

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Growl

Hark ye youngin's, and listen to a tale of ancient musical glory from yer fast-fading elders. Believe it or not, once there was a day when indie was primarily a genre that was less of a particular sound and more of a feeling. Really, it was just a term you used to refer to the weird, maybe rock-ish shit made by people that felt a little different and who didn’t fit into the regular music industry mold. It was weird, and it was kinda awkward and raw, and Growl is a band from Austin that is that weird, kinda awkward raw indie sound done right, and done right now. The record they put out late last December has been entrenched in my daily playlist since I first heard it, and while it's worth any Austinite's ear time, those who are into that old sound from the 90s and early 2000s will paritcularly love the Growl. They're a return to where this shit all came from, and their whole album is available for listening at their Bandcamp link right damn here. Listen, and bathe yourself in the echoes of the memories of late 90s youths.

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Unwind with Saint Lou This Weekend

Friday nights were made for whiskey drinkin' and relaxin', so why not start your Friday evening early with a few tracks from Burlington, VT's Saint Lou? The group's latest EP, The Buffalo Tapes, is a great mix of folk/blues/50s doo-wop grooves. It's the kind of stuff that makes you want to pour a glass of whiskey, kick off your shoes and soak up the weekend. The band will be on tour for a few dates in April and May, with a smattering of gigs in Vermont and NYC.

For more updates about the band and their current shows, click here.

-Dan McMahon (@dmcmhn)

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Modern Melancholy with Caterwaulrus

If his music is anything to go by, Caterwaulrus is probably a nice dude to kick it with. He seems like he could be the kind that'd show up to a hang with some flowers he picked on his walk over, just for you, but who'd also be willing to tell you that he feels a bit weird about killing something pretty. That feeling of sunshine and good days with an underlying soft gloom just drips from the sound on songwriter's newest album, the just-released "Songs that Go Nowhere." That title is a bit misleading, but also a bit of the truth- these songs do float around like gentle clouds, but they're also dense and complex and there's nothing ambiguous about the way they hone in on their target tone. The album is laced with looping vocals all reverb-ed out to blissfulness, little electronic touches and pieces of beats, all of which melds together with no element ever threatening to overwhelm the rest of the track. And, despite the expansive warmth and haze in the sound, the sounds collectively bely the underlying subject of the tracks on the album, which almost all speak of Caterwaulrus' melancholy. Lyrics like "I'm so fucking picky and I over think god damn everything," or "I'm a synesthetic skeptic slowly snoozing with regret, it's not quite what mom expected" reveal a mind that is a bit worried and not always happy with itself, though it'd like to be, and that thought tunnels through the whole album. But, it's delivered in such a poppy (albeit highly experimental pop), major-key fashion, buried deep within the summer smile that is the overriding tone, that you barely notice that these aren't songs about having a good day at all. It's a modern feeling buried in a modern sound, and if you have enjoyed artists like Toro y Moi in the recent past, you might find Caterwaulrus a good fit for your modern moods. Give it a go below, and float through your own contemporary, confusing life with a friend in your ear who understands.

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