x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

Node Pic

Alt Pop

Node Pic



Geoff Earle's New Project Stiletto Feels Releases its First, Funky-Weird Single

Stiletto Feels is a project that we’ve actually posted on before, back when it seemed to be known online as The Big Fist, but when we dropped a piece on a track back at that point, we got us a confused but polite message from bandleader Geoff Earle wondering how we’d found what was then an unshared SoundCloud account meant to show off what he was working on to his close friends.

That track was taken down, and we’ve sat put on Earle (known for his work with Fresh Millions) ever since, until now. Just a few weeks ago, one of Earle’s other new tracks “Steal Your Guitar” was released at an Empire Control room show with a pretty fucking wildly good lineup (BLXPLTN, Shmu, Black Books, Corduroi, Chipper Jones and Dana Falconberry were just part of the list of groups playing), and now we can finally post on this killer-ass new music coming from one of Austin’s most uniquely musical minds.

We’re into being able to finally talk about the layered and indie electrofunky project that Stiletto Feels is, especially because “Steal Your Guitar” was so good back when we heard it a few months ago, we almost posted it as our single of the day instead of the track we went with. In fact, we like it so much, we've nominated Stiletto Feels for Artist of the Month on the strength of this track, as well on what we know is to come from these guys in the near future.

Backboned by a supersynthy, glimmering night of a melody that sounds a bit classic Vitalic or Kavinksy and then slammin’ into somethin’ funkier for the chorus, “Steal Your Guitar’s” main strength outside of its smooth synthetic grooves is its strange lyrics and subject and their equally weird delivery. Sung in a nicely and appropriately subdued but pretty manner that balances well with the heavy funk of the bass and the prettiness of the rest of the track, the lyrics of “Steal Your Guitar” are delivered from the perspective of a supposed friend of an unnamed musician’s friend who is outright telling the unlucky artist that they are about to have their guitar stolen, by said friend and for drugs.

The song is pretty bitchin’ in the way it creates this believable and poignant narrative of a situation that feels totally real (and, as I and many others who have owned guitars can tell you, this is definitely something that happens) and is pretty hardcore to listen to explained so directly. Paired with the fun and groovy instrumentals, it’s exactly the kind of pop song that we’ve been craving- something that pushes the edges of pop music out further while still being undeniably part of the pop canon.

Listen to this first track from Stiletto Feels here, and keep posted for more info on the rest of the tracks the project is said to be releasing soon. We hear it’s more of what we had found on that original SoundCloud page, all of which was perfectly killer, and that the recording process was quite unique indeed and involved folks from acts like Shmu and The Sword. We’ll have more on that as it releases, for now let Stiletto Feels tell you exactly how it goes down when a good buddy tells you to your face how they’re about to fuck you over.

|




Album review: Bloodbirds - MMXIII

(Photo by Todd Zimmer)
 
Twenty-year veterans of the LFK/KC underground music scene, Mike and Brooke Tuley have played with a number of bands familiar to local rock audiences. Best known for their time with Ad Astra Per Aspera, they established Bloodbirds in 2011 with the intent of cutting loose and shaking things up.
 
And they have. Dense, dark—equal parts Fun House (Stooges), Spacemen 3 and Black Angels—Bloodbirds’ newest release MMXIII may also be their swan song, given the departure of bassist Anna St. Louis for Chicago. In some ways, it is St. Louis whose playing defines the band. Forward in the mix, and by no means shy, St. Louis plays with punchy authority, reminding of some of the other great “lead” bass players like Jon Entwistle and Peter Hook. Brooke Tuley is a powerful drummer; her parts are simple, but dead-on. She locks perfectly with St. Louis.  Mike Tuley plays on top of their aggressive foundation, a canvas for his arsenal of shimmering hammer-ons (“Modern Sympathy”), punishing riffs (“Did You Say”), and sometime dulcet tones (the comparatively clean Blue Mask jangle of “Convalesce”). Depending on the song, his sound can be metal harrowing or as ropey, surf-psychedelic as the theme from Repo Man.
 
About those songs: they’re functional, gripping, emotional soundscapes, not necessarily bound by pop hook conventions. They hit you with the shape-shift intensity of vintage heavy rock like Blue Cheer or modern darkness merchants like Black Rebel Motorcycle Club. Which is to say the focus here is not necessarily on hum-ability. Even allowing for that, it would be nice if the vocals had a dash less delay density and a bit more clarity in the mix. Lyrics and vocals on MMXIII are more about mood than meaning (or mood as meaning), stray lyrics emerging from the driving murk to arrest your conscious mind here and again.
 
The tough thump of “No Trains Coming Through” totally belies the song’s title. With Roky’s manic intensity, the song “Did You Say” features the ominous, repeated line “Did you say you want the end to come right now?” And the music echoes the sentiment. “Round Moon’s” cascade of guitar features some of Tuley’s most expressive fretwork, summoning up the incantations of bands like the Icarus Line and the guitar howl of the Stooges’ Ron Asheton. For an album that emphasizes a certain heavy-osity, MMXIII manages to shift mood and tone effectively.
 
Brothers and sisters, the Bloodbirds can make a show-stopping addition to anybody’s Psych Fest. Live shows may be few and far between, given the departure of St. Louis, but they have reunited in support of MMXIII occasionally and the members remain close friends and open to the odd gig. Go catch them if you have the chance.
 
—Steve Wilson
 

 

Node Pic



The Deli's NYC issue #44 is online!

Deli Readers,

I know, it seems like we put our latest issue out just the other day - but no, we haven't switched to monthly. It's just that the fall in NYC is a busy time for us, and with CMJ week and our NYC Synth Expo (linked to BEMF) coming up, there's a lot to write about.

Here's our 44th issue of The Deli NYC (one of our finest!). Check out cover band Stolen Jars, they'll be performing at one of the (several) Deli CMJ 2015 shows!

READ THE DELI NYC'S 44TH ISSUE HERE!

The Deli's Staff

Node Pic



Grey Lakes Needs Your Help to Make a Record

Austinites, assemble! A cute indie band needs your help gettin' you more of that sweet, jangly music you crave. Local act Grey Lakes has finished the big majority of a record they're hoping to release this year, but they need a little help along the way to finish up those persnickety and expensive things that come with record-creating like mastering. They're running an indiegogo page right now to raise the funds (as of this writing it looks like they need about $4k in 9 days), and they've released a couple of singles to show you lovely potential listeners what they can do for ya.

The two tracks released so far, "Sea Foam Green" and "Our Blood" are nice little pretty-ass indiepop gems that deal with classic pop concepts, but bring them out in ways that feel refined as opposed to tired. There's much twangly, floating guitar here and breathy vocals that feel like they hearken back to when indie was more rock-pop and didn't have as much of the folky influence goin' on yet. "Sea Foam Green" is especially heavy on the indie-pop side, and the band does very well with the components of this genre to layer them just so in the track so that it culminates in a droney, well-balanced and pleasing way with all layers present.

Puttin' out a record is a tough thing, and really most musicians outside of the biggest acts put a ton more into these financially and in terms of hours worked than they actually get back out of it, and you can help make it happen and also get yourself a nice bit of music to listen to by headin' over to the page and droppin' a dollar or two of beer money. Check out the tracks below, and help these guys out if you feel so inclined. The scene needs you to live, remember that kiddos.

|
Node Pic



Mammoth Life Releases New EP - Baycation

The San Francisco based indie-dream pop band, Mammoth Life has released a new EP entitled, Baycation. Out now on cassette on Wiener Records and 45 rpm, 10 inch surf green vinyl on Satisfying Records, Baycation is a breath of fresh air as we enter this new fall season in the Bay Area!

The EP permeates a combination of California surf rock and a brisk shoegazey compositional style. You can hear similarities to Brian Jonestown Massacre and the alternative styles of Kim Deal and Kim Gordon. Take a listen to this record and buy yourself a physical copy from Wiener and Satisfying Records!

|
|
|

- news for musician and music pros -

Loading...