x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

Node Pic

The Spirit of the Beehive

Node Pic



Q.D. Tran’s 40 Favorite Philly Records of 2014

It’s that time of year again for our last post of 2014 and my list of favorite Philly records for this year. My procrastination was strong this year, but once again, I just managed to make it just under the gun. It’s always overwhelming to dig into all the great music that we have been lucky enough to come across throughout the year. I’m sure that there are some albums that have fallen by the wayside of this list, but hopefully you’ll discover or rediscover a new favorite like I have while taking this journey. It’s been fun, and as always, looking forward to seeing you on the other side - cheers! - Q.D. Tran

1. Guilty of Everything (Relapse) – Nothing

 

2. You’re Gonna Miss It All (Run For Cover) – Modern Baseball



3. Full Of Snakes (Fleeting Youth) – Mumblr



4. 7” (Wilsuns RC) – Sheer Mag



5. The Spirit of the Beehive (Ranch) – The Spirit of the Beehive



You can view the rest of the list HERE.

Node Pic



The Deli Philly’s New Year’s Eve Show Roundup

There is too much great local music happening tonight that you can’t possibly cover and see it all. Here’s a roundup of some shows that you should be at to ring in the New Year this evening. A hot one will be newly signed to Saddle Creek, Hop Along, at Johnny Brenda’s for a sold-out show with Thin Lips and roses. The group recently wrapped up its stint in the studio where they’ve been working on their next label album with producer John Agnello (Kurt Vile, Dinosaur Jr., etc.) so there should be plenty of new material. Philly indie-rock mainstays Man Man, opening for Gogol Bordello at the E Factory, should be a fantastic show. Our friends at PhilaMOCA will be hosting Mannequin Pussy and the Jawbreaker reunion. A Sunny Day in Glasgow are capping off their holiday run at Boot & Saddle. Shaky Jake and his Killer Bangs crew are taking over Kung Fu Necktie with psych outfit Drone Ranger and stoner metalheads Ruby the Hatchet. And take some swings at batting cages/DIY music space Everybody Hits with The Spirit of the Beehive and Mike Bell & The Movies. And the list goes on and on… Share how you’re spending your NYE?

Node Pic



The Deli Philly's December Record of the Month: The Spirit of the Beehive - The Spirit of the Beehive

There is something rather dark and mysterious about a band that takes its name from a classic Spanish film that focuses on its protagonist, a young girl, who becomes fascinated by the 1931 horror movie, Frankenstein. And with an album cover that portrays a child in a bee costume positioned in front of a tombstone saying, “Here Lies Mom-n-Dad Now Their Gone Isn’t That Sad,” you can’t help but be intrigued, if not a bit disturbed. The Spirit of the Beehive is a local fledgling outfit who has popped up on my radar this past year, appearing on numerous bills, oftentimes at DIY spaces. The band has further grabbed my attention with its debut self-titled full-length album, which was recorded by The Weaks/ex-Dangerous Ponies, Evan Bernard and Chris Baglivo, and released via rising Philly indie label Ranch Records.  
 
The record’s opening track, “Roll Over,” begins with an eerie instrumentation before a languid female voice comes in with barely intelligible lines. “Cycles in and out of morphine hazes. Finding spaces between your floorboards. And I watch the dust move.” Thankfully the group provides us with lyrics on its Bandcamp page; otherwise, the beautifully poetic verses filled with drug-fueled imagery would be lost in the wash of power chords and feedback. “All lost in the black market. To wait in the fix aisle, I roll over.” You also get a sense of the band’s lo-fi, DIY aesthetic when you are abruptly taken out of the world, created by the album’s first, with studio chatter before moving on to the next track. With “Short Walk,” you can’t help but feel the influences of greats like Nirvana and more recently Creepoid with the hushed vocals and sonic bursts. These two tracks set the tone for the first half of the LP, where you travel in and out of the territories of dream pop and shoegaze when the female lead vocals grab a hold of you and then the grungier, harder-edged side takes over with the male lead. This juxtaposition provides quite an enjoyable balance that I actually wished went on longer throughout the record.
 
It’s not until “Ether,” where the two combine forces, changing the dynamic of their relationship. The title of the song suggests that you might be finding something more ethereal; however, the driving bass line provides a sense of urgency throughout the track. It also marks the point where the male lead begins to dominate the rest of the album, while taking on some of the characteristics of its counterpart. What remains a constant is a psychedelic, drug-filled angst full of guitar licks and distortion, giving off the vibe of a band that is here to rock, and they don’t care if you are ready for it or not.
 
The Spirit of the Beehive closes out their ambitious LP with the longest and cleanest sounding recording on the album, “Fever Dream,” demonstrating that they don’t need to hide behind studio effects, while making you wonder where their follow-up release will go next. It’s an eclectic and modern sounding record that also pulls from past genres I hold close to my chest. I highly recommend that you go download it ASAP. - Q.D. Tran

|
December 2014
The Spirit of the Beehive
"The Spirit of the Beehive
"
mp3
There is something rather dark and mysterious about a band that takes its name from a classic Spanish film that focuses on its protagonist, a young girl, who becomes fascinated by the 1931 horror movie, Frankenstein. And with an album cover that portrays a child in a bee costume positioned in front of a tombstone saying, “Here Lies Mom-n-Dad Now Their Gone Isn’t That Sad,” you can’t help but be intrigued, if not a bit disturbed. The Spirit of the Beehive is a local fledgling outfit who has popped up on my radar this past year, appearing on numerous bills, oftentimes at DIY spaces. The band has further grabbed my attention with its debut self-titled full-length album, which was recorded by The Weaks/ex-Dangerous Ponies, Evan Bernard and Chris Baglivo, and released via rising Philly indie label Ranch Records.  
 
The record’s opening track, “Roll Over,” begins with an eerie instrumentation before a languid female voice comes in with barely intelligible lines. “Cycles in and out of morphine hazes. Finding spaces between your floorboards. And I watch the dust move.” Thankfully the group provides us with lyrics on its Bandcamp page; otherwise, the beautifully poetic verses filled with drug-fueled imagery would be lost in the wash of power chords and feedback. “All lost in the black market. To wait in the fix aisle, I roll over.” You also get a sense of the band’s lo-fi, DIY aesthetic when you are abruptly taken out of the world, created by the album’s first, with studio chatter before moving on to the next track. With “Short Walk,” you can’t help but feel the influences of greats like Nirvana and more recently Creepoid with the hushed vocals and sonic bursts. These two tracks set the tone for the first half of the LP, where you travel in and out of the territories of dream pop and shoegaze when the female lead vocals grab a hold of you and then the grungier, harder-edged side takes over with the male lead. This juxtaposition provides quite an enjoyable balance that I actually wished went on longer throughout the record.
 
It’s not until “Ether,” where the two combine forces, changing the dynamic of their relationship. The title of the song suggests that you might be finding something more ethereal; however, the driving bass line provides a sense of urgency throughout the track. It also marks the point where the male lead begins to dominate the rest of the album, while taking on some of the characteristics of its counterpart. What remains a constant is a psychedelic, drug-filled angst full of guitar licks and distortion, giving off the vibe of a band that is here to rock, and they don’t care if you are ready for it or not.
 
The Spirit of the Beehive closes out their ambitious LP with the longest and cleanest sounding recording on the album, “Fever Dream,” demonstrating that they don’t need to hide behind studio effects, while making you wonder where their follow-up release will go next. It’s an eclectic and modern sounding record that also pulls from past genres I hold close to my chest. I highly recommend that you go download it ASAP. - Q.D. Tran
Node Pic



Debut The Spirit of the Beehive LP Available for Streaming & Download

The male-female lead combination of The Spirit of the Beehive possesses an oddly balanced juxtaposition between aggression and carefree psychedelia on the band's self-titled debut LP, which you can stream in its entirety below. It was recorded by ex-Dangerous Ponies/The Weaks' Evan Bernard and Chris Baglivo, and is another nice find by local indie label Ranch Records. Enjoy!

|
|
|

- news for musician and music pros -

Loading...