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Rev Gusto

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Album review: Rev Gusto - Burnt Out Friends

“Goodnight Laura. It’s nice to know ya. But it’s better if I just fade away. So goodnight Laura. Know I adore ya. But, you’ll never be happy if I stay.” This lyric pierces my heart a bit. While this sad, easy let-down story is charming and catchy, I do want Jerry Frederick to stay. I really do. This lyric from “Goodnight Laura” is just some of the simple brilliance found on Burnt Out Friends, the debut full-length from the very original and talented Kansas City based Rev Gusto.
 
Burnt Out Friends, the 10-track record, released July 28 on High Dive Records, is on heavy rotation in my house. The super rad red cassette is in even heavier rotation in my car. I have seen them countless times. Danced like a crazy person until my legs no longer worked. Forced everyone I know to listen and join in. You could call me a fan.
 
This album is lighthearted and lyrically brilliant. We should expect no less from the gifted mind behind the project: Jerry Frederick. “We wanted to capture a raw sound with the album, so we recorded the entire LP live in studio to do so,” he explains. He might know what he is doing. He studied in England under Ray Davies of The Kinks. Spoiler: you can hear that in this album—every track. Jerry’s vocals are almost Britpop. Imagine early Beach Boys had a baby with The Kinks and Spoon and raised it in a dark, sarcastic, romantic comedy. Burnt Out Friends is full of simple, raw surf garage glam pop magic.
 
The brilliant musicians who can be heard on this album are Quinn Hernandez (drums), Shaun Crowley (guitar and trumpet), Peter Beatty (guitar and keys), Sam Frederick (bass) and of course, Jerry Frederick on guitar and vocals. Fun fact about Rev Gusto: after a restaff, they are now a three-piece. This includes Sam, still on bass, and Matt Wargin on drums. I heard this rumor but have not taken in a live show with the new lineup yet. “I loved playing with the dudes from the old lineup, but a stripped-down sound lets me get in touch with my song’s pop roots; more of a focus on vocals and harmonies,” was Jerry’s response when I quizzed him about the shake-up.
 
Burnt out Friends opens with “The Boys Are at It Again,” a great pick for an opening track. It’s light, sugary, and catchy. Jerry’s vocals and Shaun Crowley’s guitar with a perfect salty surf sound makes you dance like an awkward Peanuts’ character. My favorite track on the record is “Blood in a Bag.” This song about a crush is lyrically like none I’ve ever heard. In true Jerry fashion, it tells an obscure story of a boy, crushing on a girl while he has his blood drawn. Awkward, simple, like it were straight out of a dark indie romantic comedy. “Surf City/Mind in a Cage” is the most interesting on the album. The two short songs smashed together are a perfect combination. The first of the two are just as you imagine. The title is a spoiler. The second feels like a dance-it-out garage pop anthem. I put this track on in my living room, listen to Shaun play me that salty surf sound, jump around (usually after too many beers) and scream, “Let it go, let it go, let it go, let it go,” along with Jerry.  
 
This pristine, simple, raw surf garage glam pop magic is such an unlikely sound to come out of Kansas City. I am full on Thanksgiving turkey thankful for it. And if you get the opportunity catch a show, do it.
 
 
--Jess Barrett
Haver of sweet dance moves and stealer of t-shirts.
 
 

You can check out the new Rev Gusto lineup at Revolution Records next First Friday—they’ll be playing therewith Black Stacey and Coyote. Show starts at 7 pm. Facebook event page. Or if you’re in Warrensburg on Saturday, they’ll be at The Bay.  

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Golden Sound Records presents 3rd annual Crossroads Summer Block Party

Golden Sound Records will be hosting its third annual Crossroads Summer Block Party on June 6, at 19th and Wyandotte in the Crossroads Art District for First Friday. This year promises to be its biggest yet, with eight bands, as well as food trucks, live art, craft beer makers, and much more.
 
If you haven’t heard of Golden Sound Records, it’s a Kansas City-based record label with a roster of talented local and regional bands—among them, The Empty Spaces, The Caves, and Baby Teardrops. But co-founder Jerad Tomasino doesn’t think of Golden Sound as a traditional record label.
“Golden Sound started as more of a collective,” he remarks. Tomasino, who co-fronted Everyday/Everynight (which, at the time included Mat Shoare and Evan Ashby), said that the idea for the label materialized around 2009. “As E/E was getting its engine running, we started to play around with how we would collectively release our music. We wanted to create an entity that could withstand more than a single person or band.”
 
Tomasino started the label along with Shoare and Ross Brown in 2010. Since its inception, Golden Sound has not only helped bands release albums—it has helped showcase many musicians to audiences that might not otherwise be exposed to them.
 
One of the best culminations of this exposure is with Golden Sound’s annual Block Party. In addition to eight of Kansas City’s best bands, the Block Party will include food trucks from Indios Carbonsitos, Wilma’s Real Good Food, Jazzy B’s, and Nani’s Kitchen, as well as offerings from several other sponsors. Brown mentions that this allows the collective to involve more of the community. “We can’t give you all the support of a regular record label and we aren’t experts at every aspect, but we can help in some way.”
 
“Our process is creation-oriented, and we bring in super creative people in to flesh it out with their offerings,” says Tomasino.
 
But without argument, music is the forefront of the annual Block Party. The lineup starts off with a swift kick in the teeth by Jorge Arana Trio at 6:30, followed by the sweet pop stylings of Rev Gusto and Mat Shoare. Katelyn Conroy’s solo indie project La Guerre follows, and power trio Loose Park and The ACBs will bring the rock ‘n roll. The night will be rounded out by the otherworldly sounds of Metatone and the atmospheric instrumental mutiny of Forrester.
 
For Tomasino, one of the highlights of the Block Party is being able to put the performers on a large, professional stage in the middle of the Crossroads during First Friday. “You know your band’s music is good quality and worth putting on a big stage,” he says.
 
Golden Sound begins its push for the Block Party this Sunday, June 1, when it will celebrate the release of See Through Dresses’ self-titled LP at Mills Record Company. This is the second stop on the Omaha band’s tour. Matthew Carroll and Sara Bertuldo, of See Through Dresses, were two of the first artists that the label approached outside of its core group. Golden Sound released an EP from their previous project Honey & Darling in 2010, and Bertuldo’s punk project Millions of Boys is also a label artist. “We just want to get behind a really special album and band on its way to whatever is next,” says Tomasino, who feels that Mills will be a great place to expose See Through Dresses to a KC audience. “Mills plays a vital role in the musical makeup around here. We’re doing the in-store there so that people—specifically those actively engaged with KC music—can step into an easy environment to meet these guys, hear their music, and that’s it.”
 
“We want to take away the barriers and create a relaxed, fun environment for people to experience some amazing music,” Tomasino concludes. And Golden Sound is a collective, a label, whatever you want to call it, that does just that—facilitating contact between artist and audience, and at once helping increase the reach of Kansas City’s musical landscape.
 
 
If you’re milling about First Friday next weekend, be sure to hit up the Block Party. It’s free! Facebook event page. For more info on the Block Party, check out crossroadsblockparty.com. And be sure to check out the See Through Dresses’ release party at Mills. Show starts at 6:00 pm. The Author and the Illustrator will also play. Facebook event page.
 
--Michelle Bacon
  
Michelle is editor of The Deli KC and is also a member of The Philistines, Drew Black & Dirty Electric, Dolls on Fire, and Lucky Graves. She’s a staff member of Midwest Music Foundation. She is getting tired of inserting all of these hyperlinks.
 
 
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Too Much Rock Singles Series Vol 2: Rev Gusto - Still There

Too Much Rock recently released its second volume in its 45 RPM singles series (the first was Landlocked from Schwervon!Bandcamp link). The newest single is from garage pop band Rev Gusto, Still There, released on Record Store Day. It features the title track and a cover of Graham Parker’s “Local Girls.” “Still There” is a fuzzy jam infused with the band’s cool ‘60s California pop style. On the B-side, frontman Jerry Frederick channels Parker’s vocal work, while the band provides an excellent take on the cover.
 
Too Much Rock is the project of photographer/writer/music enthusiast Sid Sowder; the goal of the singles series is to “marry great songs with great bands all for the love of vinyl.” Each one contains an original song with a cover chosen by TMR. 500 limited edition copies are pressed and given to each band.
 
Keep up with Sowder at toomuchrock.com to find out about what shows he’s seeing, and to be updated on the next single in the mix!
 
“Still There” was recorded with Joel Nanos at Element Recording, and “Local Girls” was recorded with Pat Tomek at Largely Studios. Both songs were mastered by Nanos. The album is also available at Mills Record Company, Vinyl Renaissance, and Love Garden Sounds.
 

--Michelle Bacon 

 

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Album review: Midwestern Audio, Vol. 2 - Electric Hullabaloo


(Photos by Todd Zimmer)
 
Love letters are funny things. The communique between two besotted people is such a private thing. Midwest Music Foundation has taken to writing very public love letters the last few years. The most recent being the release of Midwestern Audio: Volume 2: Electric Hullabaloo. The sampling of Kansas City music covers many genres and shares the talent and passion of Kansas City area musicians with fans and the uninitiated alike. Electric Hullabaloo kicks off with the catchy pop of Rev Gusto’s (pictured below) “Boys Are at it Again” and moves slowly into more straight forward rock and roll via Sons of Great Dane’s “Approximately 18th St.” The first three songs are rounded out by all-out-bare-knuckles-rock-and-roll with Cherokee Rock Rifle’s “Six to Midnight.” The initial offering is finished off by the fourth track, “Divorce Sea,” from Lawrence-based distorted punk-laced garage rock band Bloodbirds.
 
 
Lest the listener think pop and rock are the extent of the musical offerings in Kansas City, Electric Hullabaloo gives you musical whiplash by offering the sonic stylings of “Animate” by Middle Twin. The electronic indie band flawlessly flows into Heartscape Landbreak’s “God Money Problems’” fuzzy guitars, melodic lyrics, and speech sampling. Victor & Penny’s early twentieth-century rock and roll pulls you into each punctuated note on “Rickshaw Chase” and segues into the next chapter of the record.
 
This love letter has something for everyone, no matter your “type.” Dead Voices carry on the tradition of sad songs in happy keys as they bounce along through “Trust of a Fool.” Olassa delivers “Podner” with a deceptively slow start and then hits their indie folk groove with staccato guitar and subdued harmony. The mood mellows with The Silver Maggies’ “Slow Poke” and its smoky, gravel-laden vocals and keening harmonica.
 
Midwestern Audio’s compiler and mastermind, Brenton Cook, picks up the pace with Betse Ellis’s fiery fiddle in “Long Time to Get There.” The happy vibe of Metatone’s “Dark Empress” pulses with African-influenced beats and a nearly monotone lead vocal that clashes in the best way with the peppy popsplosion pulsing behind it. Spirit is the Spirit (pictured at top of article) follows with a throbbing beat, the distorted remnants of 60’s television science reporting, and angelic moaning in “I Believe That We Will Win.”
 
Margo May appears next as a counterpoint to the multi-faceted Metatone and Spirit is the Spirit tracks. Chanelling Lisa Loeb’s Firecracker, May offers a simple acoustic guitar and a broken heart’s lament. “Close the Door” spills into “Broken Wing” by Sam Billen, maintaining a similar tone and emotional state. Billen’s is a song you would like to put on at the end of the day to ease your transition home. Like a sonic bucket of water thrown on your sleeping ears, Drew Black & Dirty Electric pounce on you with “Love & A Riot.” The driving rock and roll beat and theatrical saucy spoken word “I love you. Let’s riot,” is reminiscent of Rocky Horror Picture show. Six Percent’s “Live Out Loud” is evocative of early Green Day, if Green Day had a horn section. Pounding drums and slamming vocals urge listeners to stand up and listen.
 
Heartfelt Anarchy’s “Funk” opens with horns in a dramatically different sound from the way Six Percent blasted them. Undulating horns flow under Les Izmore’s lyrics and the song exits on shimmering tambourine and harmonica. The experimental music of Various Blonde’s “Blind Samurai” sounds, oddly enough, like The Kinky Wizards in High Fidelity (which is really Royal Trux “The Inside Game”). You just can’t stop listening to the guitar riffs and space sounds twisted all around a manic beat. Furthering your trip down the rabbit hole of experimental music, David Hasselhoff on Acid rides into your eardrums on a wave of weedling guitars and in-your-face drums. Bowing in and out of the speed and thrust of loud and high sounds and the simplicity of drums and guitar, “Breakfast” will either make you lose yours or ask for seconds. The farewell of this love letter from Kansas CIty music is Jorge Arana Trio (pictured below). The experimental noise-rock of “Catching Bullets with Your Teeth” dodges in and out of instrumental traffic to express a frantic conversation.
 
 
To us, from the Midwest Music Foundation and the musicians of Kansas City, this love letter expresses the passion of expression that must be released lest the heart of the musician explode. Enjoy.

 --Angela Lupton 

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Show preview: Midwestern Audio Vol. 2 CD Release Party

 
(Artwork by Sheppa)
 
Join Midwest Music Foundation for the release of the Midwestern Audio, Vol. 2: Electric Hullabaloo local music CD compilation series this Saturday, October 5, at recordBar. The lineup includes four local acts featured on the compilation: Jorge Arana Trio, Les Izmore (of Heartfelt Anarchy and Hearts of Darkness), Rev Gusto, and Spirit Is The Spirit.
 
Show starts at 9:45, 18+, $8, and entry gets you a free CD. Chipotle is also offering a BOGO burrito coupon to the first 100 people through the door.
  
On Sunday, October 7, the compilation will be available at http://music.midwestmusicfound.org. Volume 1 is currently available at that site for a pay-what-you-want download. All proceeds go to Midwest Music Foundation.

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