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Album review: Mat Shoare - Mirror Music no. 1

As the title suggests, Mat Shoare’s latest release, Mirror Music no. 1, is about reflection. “The songs are all linked to my last full-length Right as Rain, and draw on the same themes: abandonment, bitterness, and repressed anger,” he states. While Shoare’s description may sound like a recipe for a suicidal symphony, most of the music on the four-song EP is surprisingly upbeat and even approaching optimistic. This may be because Shoare says he is closing the book on this period of songwriting, and has plenty of new, less miserable topics to begin sharing.
 
The EP opens with “I-Yi-Yi,” a mellow yet poppy tune with a solid groove. I-yi-yi is a clever play on aye-yi-yi, the outdated term used to express sadness, hopelessness, anger, or frustration (you may have heard your grandmother say this when you were a kid). The song deals with frustration over things not going as planned, yet the realization that the circumstances could be worse. It’s about waiting and yearning, yet understanding the need for patience. It’s a commentary on life as most of us know it. “It’s not going better, but it’s not going worse / It’s not going good, but it’s not going bad.” Through reflection, Shoare decides to make the best of things, ending the song singing “I-yi-yi-yi-yi-yi-yi-yi” in a cheery, so-be-it kind of way. We could all stand to look at life like this.
 
“One of My Songs,” the second track, is probably the most listener-friendly. It is about breaking up with a girl, and is both a jab at the woman (or women) as well as possibly a bit of self-deprecation from Shoare. “Now you’re just a girl in one of my songs / Please sing along if you’ve heard this one before.” As with “I-Yi-Yi,” this potentially blue topic is in no way a ballad. Instead it is almost a doo-wop song, complete with Beatles-esque background vocals and a clap track. Shoare shows off his musical talents by playing all of the instruments on the recording. “All About You” is similarly upbeat, yet with a totally different sound. It starts with a drumbeat that could be mistaken for Stevie Wonder’s “Superstition,” and is layered with jazz chords and a driving bass.
 
The only gloomy song is the fourth and final cut, “Real Woman.” Truly lo-fi, it is simply Shoare playing an acoustic guitar while crooning about a relationship lost. Sticking with the theme of the record, he reflects and realizes his mistakes—and what traits constitute a good (or bad) companion. “If I had known how much you would hurt me / I would have been with a real woman.” Despite being barely over a minute long, “Real Woman” is a perfect goodbye. It touches on remorse, but focuses on the resolve to move on to better things.
 
Like life, Mirror Music no. 1 isn’t perfect, but perhaps Shoare and his band (Evan Ashby on guitar, Ross Brown on bass, and Ryan Carr on drums) intended it that way. There is a constant yin-yang, showing how opposites can be complementary. It’s dark and light, sad and happy, and ultimately gives listeners something that is strangely inspiring, given the subject matter. It’s an ending to one place in Shoare’s life, and a peek at happier things to come.
 
--Brad Scott
Brad loves music, Boulevard beer, and his family. Not necessarily in that order.
 
 

Shoare will be touring in support of the album starting tonight in Columbia at Café Berlin. Facebook event page. You can also check out his website for other upcoming dates at matshoare.com.   

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Artist of the Month: New Baboons

Congratulations to New Baboons, our first Artist of the Month for the new year! Take the sounds of foundational rock bands and add in a few groovy washes of ‘60s psychedelia and you have New Baboons, an up-and-coming contender in KC’s rock ‘n roll scene. Read our Q&A with a few of the members, and check out their music.
 
The Deli: Down and dirty: 1 sentence to describe your music.
 
Elliott Seymour: We play rock and roll with melodies, hooks, and choruses. 
 
Adam Scheffler: New Baboons are a supple pillow of influence dragging over 60 years of crumpled rock ‘n roll bedding.
 
Tom Livesay: I guess I would describe our band as sounding more like rock from the late ‘60s to the early ‘90s than it does to anything since then.
 
The Deli: Give me some background info on New Baboons. How did the band come to be? Also, you used to be called Vidal Baboon. Why the name change?
 
Elliott: We all work together. One day Adam and I got together to run through some old songs we had each written. We just asked Tom and Josh if they were interested and we spent a few days just playing for hours. It fit really nicely together, so we just kept trying songs that Tom, Adam, and I had written over the years. Shockingly, very few people seemed to get the Vidal Baboon reference, so Josh suggested New Baboons as an easy switch. It has a rather evolutionary sound to it, I think. I was outvoted on my choice: The Pelican's Briefs...
 
Adam: We’ve been together for about 2 years, ever since we all talked about playing music together at Half Price Books where we all work. We changed our name because Vidal Baboon is a bad name for a band.
 
The Deli: What inspires your music and songwriting? What is your songwriting process? Does one person write everything or is it collaborative? 
 
Elliott: Tom, Adam, and I write our songs individually. We then present them to the band and we all just bang them out. I am usually inspired by whatever music I happen to be obsessing over at the moment. I'll just hear a progression or part of a melody or just catch a mood. I'll just play something over and over until it starts to take shape. I'll work with it until it finally sounds like a complete song. I usually come up with the lyrics as I'm going. I kind of dread writing lyrics.
 
Adam: Either Elliott, Tom, or myself write a song on our own, then we kind of come together and flesh out the parts. Then we play it to josh (ze drummer) who comes at it from a structural point of view, and then we flesh out tempos, mood changes, and vocal parts.
 
The Deli: What have been your greatest accomplishments as a band?
 
Elliott: I think recording an album in my basement on a little 8-track was pretty cool. It certainly isn't perfect, but it has a sound that lends itself well to the type of songs we chose to record. They are all pretty melodic and classically structured, so I think the songs speak for themselves. I'm pretty happy that we were able to play recordBar a few times before it closed. That place was the coolest and I think we're all pretty sad to see it go. 
 
Adam: Winning this here Deli KC thing and being able to play this long with everybody working at the same place.
 
The Deli:Tell us about your debut LP. What can listeners expect? What future plans do you have for getting your music out there? 
 
Elliott: Our first album, New Baboons, is pretty representative of our collective influences—mainly rock and roll from the ‘50s and ‘60s, with a little ‘90s sensibility thrown in there. People tend to hear Velvet Underground and ‘60s psych or garage. I hear some Elephant 6 sounds, especially in Tom's songs. We are going to record about 11 new songs at Temple Sounds recording studio sometime in the next month, so I think our next album will have a much different sound. The songs will still be the strength of what we do, but our production value should go up a few notches. 
 
Adam: The first album is a collection of songs everyone had lying around, and then once we connected, we added new songs to the mix. Also, Paige Newcomer played keys on all that and she added a lot to the sound of that album. Expect well-formed rock n roll songs that people call “quite good.”
 
Tom: I think our first album has lots of variety, partly due to the 3 songwriters. I hear VU, Television, and Rolling Stones influences, plus some garage band psychedelia, disco, and Motown. Sometimes there's some newer-sounding stuff mixed in there too.
 
The Deli: What does supporting local music mean to you?
 
Elliott: It's about a sense of friendship and community to me. We share venues and audiences and often hang out in the same places, you know, it's really cool. I use Bandcamp and Soundcloud to keep up with local bands, as well as patronizing local record stores and going to shows. Being part of something like that is really cool. I think only the most hipster of hipsters could be cynical about it. 
 
Adam: Going to shows, buying things made locally, connected with other musicians through social media or one's physical form.
 
The Deli: Who are your favorite local musicians right now? Non-local?
 
Elliott: Locally speaking, I love Thunderclaps. Those guys are friends and we've played a lot of shows together. I love rock and roll bands that are saturated in their influences. It just sounds so classic and pure. I'm also impressed with what I've heard from The Conquerors. They make songs with the ‘60s sensibility of singles, when singles still meant something. We've really enjoyed playing with SquidsKC—they are pros, and Dan Jones is a great songwriter. As far as non-local, I'm lately into rockabilly like Johnny Burnette, Eddie Cochran and Stray Cats. Also digging Dion and Buddy Holly. 
 
Adam: I enjoy Phantom Head quite a bit and Thunderclaps has been one of our bad-boi backbones. Non-local I'd say U.S. Girls’ new album Half Free had tickled me lately.
 
Tom: My favorite bands are The Beatles, The Rolling Stones, and The Kinks, but I've been inspired by Pavement, Cheap Trick, and The Pixies on certain songs. I don't get out enough to know what local bands I like other than SquidsKC.
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Elliott: I'd love to play with The Velvet Underground and The Kinks. Brian Wilson would play piano instrumentals between sets and David Bowie would do some miming. 
 
Adam: Uh... I guess opening up for 10cc and Frank Ocean with Scott Walker closing it all up. Shit ya.
 
Tom: My fantasy bill would be opening for The Kinks and McCartney/Starr.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Elliott: Lennon/Macca (one hybrid face), Lou Reed, Brian Wilson and David Bowie. The Beatles are my favorite band and their influence is incalculable. Paul's bass lines and the way they used the studio and Ringo's fills and George's melodies and John being John, It's all so brilliant.
Lou Reed and The Velvet Underground for the massive grooves that they were capable of—Sister Ray is still untouched in that regard. Brian for giving us such beautiful sounds and David Bowie for being the one-of-a-kind musical icon that he was and will always be. All of his characters and mythologies are so much of what got me interested in rock and roll to begin with. He is endlessly fascinating. 
 
Adam: Lou Reed, ‘nuff said. Damo Suzuki from CAN. 1960s-era P.P. Arnold because I could listen to her voice all day. I guess last it would be Charles Mingus because I wanted to round this out nicely with some of my faves.
 
Tom: I would probably have Lennon, McCartney, Ray Davies, Jagger, and Richards. I know that's one too many.
 
The Deli: What other goals do you have for 2016 and beyond?
 
Elliott: My goals are to have more band practices (always!) and play some different venues than we have. I want to get our second album out and listen to more music than I did in 2015. I think a split 7" with the Thunderclaps would be great. 
 
Adam: Goals and rock n roll have nothing to do with each other. Just make music.
 
Tom: My hope is to get more shows, record a second album that's better than the first, and just keep getting better.
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Elliott: Buy a lot of David Bowie records and listen to them.
 
Adam: Please learn from the world's wealth of point of views and catch yourself when you’re selfish, treat others better than you'd treat yourself, listen to New Baboons, listen to Frumpy Congo Love that's me, and stop being cool or trying cuz you're fucking everything up.
 
New Baboons are:
Elliott Seymour - guitar, vocals
Adam Scheffler - guitar, vocals
Tom Livesay - bass, vocals
Josh Klipsch - drums
 
Your next chance to see New Baboons live will be at Josey Records on February 26 with Braggers and The Red-Headed League. Check them out!
 
 

--Michelle Bacon 

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Westend Recording Studios Presents Amplify KC Vol. 1

(Photo by Todd Zimmer)
 
“Heavier punk or metal is aggressive and comes from a need to tap into that primitive feeling inside of you,” says Justin Mantooth. Mantooth is the house engineer at Westend Recording Studios, a state-of-the-art recording facility tucked into the West Plaza area of town. Westend boasts professional recordings from some of KC’s most well-known rock lineage, from Shiner to Frogpond to Season To Risk, and current groups like Shy Boys, Radkey, and Making Movies. On Monday, the studio released a compilation called Amplify KC Volume 1, featuring some of the city’s heaviest acts.
 
Eleven forceful tracks make up the album, ranging from noise rock to punk to metal to hardcore, skillfully recorded, produced, and mixed by Mantooth and mastered by Mike Nolte (Eureka Mastering). Read our Q&A with Mantooth and get it as a free download here.
 
The Deli: One of the goals of this compilation was to highlight heavy-minded artists. Why do you think these artists tend to be overlooked? 
 
Mantooth: It's not for everyone. It’s less approachable than your electro-pop hipster thing might be to a casual listener. 
 
The Deli: This compilation also showcases the production quality from Westend. Tell us more about the facility.
 
Mantooth: Westend owner Mike Miller has built a professional environment that has a vibe of a time before streaming and MP3s. A time when it was more about the music and not YouTube views. We try to push for "real"-sounding records rather than slick overly produced ones. I take full advantage of new digital tools, don't get me wrong, but my goal isn't to quantize performances into robotic perfection. One thing that may set us apart from other studios is that we still use analog tape often, something that isn't really happening in most studios today. 
 
The Deli: How did you select these particular artists? Highlight a few of them.
 
Mantooth: We put the word out that we wanted to do this compilation and had bands submit to take part. From there I chose the bands I thought I could make a solid production with in a day’s worth of studio time. That wasn't easy to narrow down! I wish I could have recorded 20 bands, but you know it's a lot of work. I'll just highlight the first 3 tracks on the comp because I enjoy everyone on there. 
 
Hyborian: These guys can play and write very slick songs yet keep it heavy. The mix of smooth vocals over raging guitars and big drums is just excellent. 
 
Walking Oceans: Just listen to their entire track. It is a rollercoaster ride of badassery. Instrumental music that doesn't leave you wondering when the vocal section is going to start. Really good band. 
 
Bluehealer: These dudes are young and they play like it. With no fear at all. They throw down. Taking somewhat simple chords and ideas and just thrashing them hard. They remind me of some of my favorite bands and I enjoyed getting that sound for them. 
 
The Deli: What can we in the KC music scene do to support bands in the hardcore/metal/punk/heavy rock scene? What should bands do to get their name out there? 
 
Mantooth: That's a good question. The biggest thing is go out and see bands live. Buy their merch. We live in a time when there are a million reasons to just stay home. We don't have the same attendance at shows that was the norm 15 to 20 years ago. I think one good idea is having more diverse lineups at local shows. We don't need to see 5 similar metal bands at 1 show. I played a show on NYE with Jorge Arana Trio, Sharp Weapons, Sundiver, and Bummer. All very different, but it went really well. People like to hear diversity and sometimes bills are stacked with too much of the same. And usually half of the lineup is terrible just to keep the genres the same. 
 
The Deli: Name a few must-see KC bands that people may not know about. It doesn't have to be limited to bands on this compilation; perhaps even some that didn't make the cut.
 
Mantooth: All of these bands are bands I want people to know about. Bummer is a must see. They always bring the beef. Hammerlord didn't work out as far as being on the compilation, but they are great. 
 
Check out Amplify KC Vol. 1 on Bandcamp!
 
--Michelle Bacon
 

 





BANDS: WE NEED YOUR MUSIC!

Starting February 4, 2016, The Deli KC will be appearing the first Thursday of every month on Under the Radar with John Todd on KKFI 90.1 FM. A HUGE thanks to John for allowing us to take over part of his radio show once a month.
 
In addition, we'll be taking the music submitted and posting it as podcasts to The Deli KC's Soundcloud page. These will be available to the general public for streaming and free download.
So ... WE NEED YOUR MUSIC. New or old, we don't care. Send MP3s to thedelikcpodcast@gmail.com. Whereas we will be playing selections of what is submitted on KKFI, ALL submissions will be included on the podcasts.
 

--The Deli KC Staff 

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Kansas City Open Submission Results for The Deli's Year End Poll for 2015 Emerging Artists

Thanks to all the artists who submitted their music to be considered for The Deli's 2015 Year End Poll for emerging local artists!
 
After tallying our editors’ ratings for the Open Submissions stage, it’s time to release the results. Please note that to avoid conflicts, no local editor was allowed to vote for bands in their own scene:
 
Jurors: QD (The Deli Philadelphia), Jordannah (The Deli San Francisco), Paolo De Gregorio (The Deli NYC).
 
Acts advancing to our Readers/Fans Poll:
 
Earth Spun Occupants (Atmospheric) – 7.5
 
 
Toughies (Indie Rock) – 7.3
 
 
 
 
Honorable Mentions (ranked above 6):
Lauren Anderson, Eggs on Mars, OneofYou
 
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WHAT’S NEXT: These results end the first phase of the poll. We will soon unveil the artists nominated by our local jurors, and then let our readers and our writers influence the poll with their vote.
 
Keep creating, keep supporting, and stay tuned for your chance to vote! 
 

--The Deli KC Staff 

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