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Album review: The Conquerors - "You Must Be Dreaming"

(Photo by Liana Wears)
 
“Twist and shout or get the fuck out”—a motto that couldn’t describe The Conquerors more perfectly. Your favorite psychedelic rockers are welcoming two more songs to your vinyl* collection. While “You Must Be Dreaming” dares you not to smile and bounce along, “Maybe Someday” is a perfectly grounded, pulsing contrast of contemplation. This 7” single is brought to you by High Dive Records, recorded at Element Recording with Joel Nanos.

Rory Cameron leads the quintet, writing numbers that give a nod back to The Byrds and The Beatles. The video for upbeat “You Must Be Dreaming,” shot and edited by Alec Nicholas, sets the vibe perfectly. We reminisce to a time where bands performed in suits and ties and answered applause with a bow of appreciation. Add a spike to the punch bowl, and the scene changes color completely to the tipsy, sweaty, raucous party you would expect to attend this weekend.

 


You have three chances to catch The Conquerors this weekend to pick up their new 7” and the trippy t-shirt artwork designed by drummer Jim Button:
Friday at The Blind Tiger, with Berwanger (who is celebrating the release of the
Demonios EP; see our review here), Drugs & Attics, and El Rey-Tones. 9 pm. Facebook event page.
Saturday at Mills Record Company, with Shy Boys. 7 pm. Facebook event page.
Saturday at Replay Lounge (Lawrence), with Berwanger and Psychic Heat. 10 pm. Facebook event page.


*vinyl, cassette, CD, digital - choose your weapon.
 

--Roshelle Pekarek 

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The Conquerors sign with High Dive Records

Kansas City-based record label High Dive Records announced the signing of psych rockers The Conquerors earlier this week, adding to an impressive roster of artists that also includes Bummer and Rev Gusto, who have both recently released albums.
 
In celebration of the announcement, High Dive has released two new songs from The Conquerors, “I Don’t Know” and “I See You.” Recorded at Element Studios by guitarist Vincent Lawhon and mixed/mastered by Joel Nanos, the tracks put the psych pop group’s finest attributes on display. From a swath of percussive accents to shimmering guitar tones bathed in warm vocal layers, these songs take the listener on a euphoric, transcendental journey.
 
The Conquerors also plan to release a 7” single later this fall with two more new tracks, “You Must Be Dreaming” and “Maybe Someday.”
 
 
--Michelle Bacon
 

Michelle is editor of The Deli KC and plays in bands.

 

 

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Album review: She's A Keeper - Westside Royal (EP)

Westside Royal, the new musical offering from She’s A Keeper, is out now on the Internet [the music IRL is at a party on Saturday at Davey’s Uptown, $6, 10:30]. The five new songs wash over with confidence and calm. It’s a professional and creatively successful piece of work that the band has offered up for critical review by The Deli KC.
 
Upfront, let’s be clear: I like this album. I’d like-button this album, probably, but that’s not the point. After over a dozen streams or so I hear plenty of good stuff, great stuff, and yet—and always—there are compositional choices inevitably worth questioning. Today this will be me, tomorrow it will be someone else, ultimately it is you. There is something really nice about being critical of material that strives for and achieves a certain level of quality. We get to dig a little deeper and talk about the little things, the details. So thanks for the new stuff, guys, and allowing us to pick apart this awesome EP a little. Let’s get into it…
 
Album opener is “Wannabe.” Great opener. A strong sense of longing in the mood and lyrical content creates magnetism. The music is lively and progressive with great drum work and a really nice piano feature midway. The whole track blossoms and just feels good. The only part that sticks out to me as a missed opportunity is the lack of sonic interest after the piano section. It’s a transitional period in which the band hits a wall (a sequence all in unison) that serves to de-escalate the intensity of the building momentum. What it lacks is some sort of textural context, some color to complement such a straightforward approach. It’s a standard technique and is cultivated by the dynamics of a live show. For a recording it might be more effective to provide a sound to either carry the listener’s attention as an auditory focal point, or as an embellishment to the simple, homophonic texture of the band.
 
And, of course, once I criticize the band’s use of color I have immediate cause for praise. The second track, “Staying Up” is my favorite kind of song: refreshing, reflective, organic. From the immaculate roll of the opening chord, the music unfolds with elegant gravity. Imagine leaves falling. Jangly guitars fit snugly in a vibrant mix and are accompanied by tasteful and highly complimentary banjo picking. This is one of the most unique moments on the album; Keeper finds a place to reside comfortably and welcomes the listener to a sound of its own. The vocal work at the end is really cool and extremely well done. Because I like this track so much, I wish there was more to bite off lyrically, but I think this is a minor smudge in light of the track’s overall magnificence.
 
The first tidbit of attitude we get comes immediately with the onset of “I Won’t,” a cool, breezy, kinetic track lushed out quite beautifully. The egg shaker, for instance, is a breath of fresh air. The drums are built logically and done with precision. The dirty guitar would contribute more with a more vibrant tone, maybe more chord definition. But, the clean guitar work is spot-on. I love the tone and the slinky riff that carries the groove and harmony. I am looking forward to experiencing this song live. It seems honed by interaction.
 
On “Dead Serious” we get the most intriguing literary premise and the lyrics have more color, a wider vocabulary, and more devices. This sort of lyrical craft is a great complement to Keeper’s instantly amicable sonic stylings. We also get a cool, augmented, kinda hypnotic chord structure bringing in some welcomed harmonic struggle in the midst of the album’s overall consonance. The outro feels fresh and playful with that augmented bit making a delicate return.
 
“Pennsylvania” closes the EP nicely. It’s a sentimental ballad about a far off place, a far off time. My initial thought is a harsh one: Do we need more of these? The track goes down easy... maybe too easy, but again, Keeper does it well. The band stays concise and resists the urge to include a four-minute chant section that helps keep the song lean and honest. Don’t get me wrong, it’s a gorgeous melody and the style is executed with great skill, I just can’t help but wonder if the band could have been a bit more adventurous in its closing statement. I am being quite critical of a track that is, for all intents and purposes, flawless. This is food for thought. Here is a band that has a great following, great instincts and musicianship: Do we have the faith to follow them into unknown territory?
 
Finally, here’s my dilemma with the piece and the EP in general: while the band packs a little too much sugar in their recipe sometimes, the music ultimatelyleaves a good taste in my mouth. It also leaves me with an undeniable sense of peace and closure. Which, damn it all if that’s not the point.
 
Overall, it’s obvious that She’s A Keeper is a group of talented musicians who know how to make a solid recording. Due credit must also be given to engineer/producer Joel Nanos at Element Recording, where the project came to life… which is just down the street from what I can only assume is our mutually local liquor store of which the title may have been adopted (my hunch).
 
 
Check out She’s A Keeper online and join us on Saturday, January 31, to see them LIVE at Davey’s Uptown with Organized Crimes. Facebook event page.
 
--Jerad Tomasino
 
Jerad is a musician and human being local to KCMO since 2005. He studied Music Composition at the Conservatory at UMKC, is a founding member of Golden Sound Records, The Crossroads Summer Block Party, and has been active as a writer/player/producer for bands, including his own Everyday/Everynight (KCMO) and Nifty250 (Omaha).
 
 

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Artists on Trial: Admiral of the Red

(Photo by Roshelle Hudson)
 
In its short time together, Admiral of the Red has quickly evolved from a blues-based garage rock duo into a fully realized, dynamic rock band. The raw roots rock approach of guitarist Matt Hurst and drummer Tom Hudson, coupled with MB Hurst’s visceral vocals and a low-end punch from bassist Chris Reed creates the band’s primal, driving sound, reminiscent of The Dead Weather and Queens of the Stone Age. We talk more with Hudson about the group and what they have coming up.
 
The Deli: Down and dirty: one sentence to describe your music.
 
Hudson: Rock and roll with a hint of blues and a tinge of soul. At least that's what we like to think.
 
The Deli: Give me some background info on the band.
 
Hudson: Matt [Hurst] and I met in 2012 and shared the same appreciation for the blues/roots rock sound that Jack White, The Black Keys, and Queens Of The Stone Age do so well. Particularly the sound of The Raconteurs and The Dead Weather—we really wanted to capture that big raw sound. We originally planned to maintain the band as a two-piece, but when Matt's sister MB showed up at a practice and started singing, it was pretty much a no-brainer to have her take on the lead vocalist role. After spending a good portion of 2013 coming up with a set list and writing songs, we decided we wanted to make a demo. After a 30-minute phone conversation with Joel Nanos at Element Recording, the demo became an EP and we went into the studio in August 2013 to record it, essentially putting out an album before ever playing a show. Over the last year, we have had some great times and have played great shows. About 6 months ago we decided to bring in a bass player to fill out the sound of the band since our songwriting was moving in a direction that needed it. Since then, we've been working on tightening up as a band, playing good shows, and just having fun.
 
The Deli: What have been your greatest accomplishments as a band?
 
Hudson: Well, we've been playing together for about 18 months and even recorded an EP together. While we all have our disagreements at times, we do not hate each other... yet. When you put opinionated people together in one band, it's a big accomplishment to stick together, grow, and better yourselves as musicians.
 
The Deli: What can we expect from your EP, Almost Free? Do you plan to record again soon?
 
Hudson: As mentioned above, Almost Free originally was only supposed to be a demo. The goal was to just have something in our hands to give to promoters, friends, and fellow musicians to get the word out and book shows. However, we're really glad that we decided to make an EP instead. The feedback on the album has been positive and we're really happy with the way it turned out. Joel did an outstanding job and provided insight that turned out to be extremely valuable as we started to play shows. Even though it's been over a year now, it is still a good representation of our sound. As for a new album, the plan is to start recording a full-length by the end of this year. We're close to having enough new material for it and can't wait to get back in the studio again.
 
The Deli: What does supporting local music mean to you?
 
Hudson: Going to shows, supporting, helping your fellow musicians better themselves. Sort of preaching to the choir here, since the reason our music scene is so great is because so many people already do that.
 
The Deli: Who are your favorite local musicians right now?
 
Hudson: This is probably the hardest question to answer. From the more established groups to the newer bands around, there is so much great music happening in KC right now. However, some highlights would definitely be Drop A Grand, The Conquerors, and Katy Guillen and the Girls.
 
The Deli: Who are your favorite non-local musicians right now?
 
Hudson: Tok and Bruiser Queen from St. Louis are doing great things these days. We opened up for Leopold and His Fiction from Austin the other night and were just blown away by their live show. Another great Austin band is Not In The Face; they write and play some great rock and roll. Definitely recommend catching any of these guys the next time they come through town.
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Hudson: Queens Of The Stone Age, The Dead Weather, and The Kills.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Hudson: Jack White, Dave Grohl, Josh Homme, and Britt Daniel. Each one of them has a great respect for the history of rock and roll, and do a great job carrying the torch.
 
The Deli: What other goals does Admiral of the Red have for 2014?
 
Hudson: We'll be opening for Outsides on Saturday, September 13 at recordBar. This will be our last show for a bit, as we write some new material and get ready to record. Look for us to play again, hopefully with some new material in November/December.
 
The Deli: Where can we find you on the web?
 
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Hudson: Go to shows, go to shows, go to shows! As mentioned earlier, we have a great scene here and the way that scene thrives is by supporting each other. Also, spread the word to others who may not play. I feel there are A LOT of people in this city that don't quite understand how much talent resides here and would really take notice if they were just made aware. Tell co-workers, friends, family, their friends, and so on. We are our biggest supporter, but that sometimes doesn't work when we're all playing different shows on a Saturday night. The mentality should be that there are never enough people listening. Spread the word, but most of all have fun!
 
 
You can catch Admiral of the Red this Saturday, September 13, where they will be playing with Outsides and Is Paris Burning at recordBar. The show will be presented by 96.5 The Buzz. Facebook event page.
 
--Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 

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The 12 Days of Christmas (and Voting): Day 1 – “Everything’s Gonna Be Cool This Christmas,” Sons of Great Dane

(Artwork by Sheppa)
 
Boulevard Brewing Company has launched its KC Pils 10% For KC Charities campaign to give back to area charities, and Midwest Music Foundation has been chosen as one of the three recipients. Of the three charities, The top vote getter will receive 60% of available funds from sales of KC Pils.
 
 
To celebrate this campaign, 12 days of holiday songs have been compiled.
 
The 12 Days of Christmas (and Voting): a collection of holiday music performed by Kansas City musicians.
 
VOTING STARTS SUNDAY
Vote once a day from Sunday, December 22 to Tuesday, December 31
 
Watch today's video and download a FREE mp3 of “Everything's Gonna Be Cool This Christmas” performed by Sons Of Great Dane (originally by The Eels):
 
 
 
Album credits:
All songs recorded (live), mixed, and mastered by Joel Nanos at Element Recording Studios, Kansas City, MO.
All videos filmed by Black Mariah Productions (Adam Brumback, Marshall Fife, and Bryan Koehler).
Compilation produced by Chris Haghirian, Sondra Freeman, Midwest Music Foundation, with a lot of help from Randall Paske.
All songs recorded and filmed November 10 and 11, 2013.
 
And join today's Facebook event for more updates. 

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