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Lawrence Field Day Fest bridges KC and Lawrence music communities

(pictured above: Oils / all photos and videos by Michelle Bacon)
 
Spanning over three evenings with 28 acts, the third annual Lawrence Field Day Fest proved to be a large success. From Thursday through Saturday nights, some of KC and Lawrence’s most notable acts converged upon the town and brought with them a score of talent and style.
 
 
For this reviewer, LFDF kicked off on Friday evening at Jackpot Music Hall in the middle of Katy Guillen & the Girls’ explosive set. The KC trio had the full attention of a trickling-in crowd, most of whom had never seen them before and all of whom raved over them after. Once you experience one of Katy Guillen’s searing guitar solos—impelled by her tenacious rhythm section—you’re never really the same again.
 
 
Immediately following KG&G was Destroy Nate Allen. As the duo began to do a sound check while walking about the room, I realized that this would probably be nothing like what had preceded it or what would follow at any point during the fest. The husband/wife team of Nate and Tessa Allen has a delightfully unusual punk folk style, characterized and enhanced by an unconventional, interactive live show.
 
The rest of the weekend was a somewhat similar story, where festivalgoers—myself included—were getting to experience bands for the very first time. The lineup dropped a portion of the KC music scene in a setting they aren’t as saturated in, allowing an initial exposure to many Lawrence music fans. In that same vein, the KC faction was also able to see performers who don’t travel east very often.

“Last year, I was burdening myself with the task of finding national acts because I thought that would help the draw,” says festival organizer Cameron Hawk. “I was worrying about stuff like that, and I think it made me forget that not only do we have a huge crop of amazing bands around here, but they are bands people care about. We are so lucky to have that.” So this year, Hawk took the approach of building a solid lineup from both sides of the state line, and was able to draw in fans from the two music communities and parts in between.
 
 
Other highlights included Major Games’ highly anticipated set on Friday at The Bottleneck. Emerging from a nearly two-year live show hiatus, the trio played its upcoming album in its entirety and presented an even bigger, fresher, more passionate sound than before. Following them was Loose Park, a pure rock ‘n roll band who manages to somehow become even more electrifying and fun with each passing performance.
 
 
The Sluts closed down The Jackpot on Friday night to an enthused, riotous audience. The duo of Ryan Wise and Kristoffer Dover has a steady following in both KC and Lawrence, and was able to prove exactly why with Friday’s performance. They have a stripped-down, DIY garage rock/punk sensibility, with just enough hooks to grab almost anyone who could possibly be entertained by the thought of live music. Wise’s newly added vocal effects also brought more depth and grunge to their songs.
 
 
Saturday night marked Pale Hearts’ final performance, as frontman Rob Gillaspie (also currently doubling as Lux Interior in The Cramps’ tribute band Stay Sick) prepares to move to KC. The always enigmatic performer led his band through its dark, poppy, ‘80s-influenced catalog. We hope to see more music come out of Gillaspie, perhaps in future collaborations with KC artists.
 
 
 
At Jackpot, CS Luxem entertained and captivated a new audience, showcasing Christopher Luxem’s talented songwriting both as a solo act and realized as a full band. Meanwhile—and with the help of Jar Jar Binks—Josh Berwanger and his band got the Bottleneck crowd on its feet.
 
 
Like other frontmen I was able to catch on that stage (Gillaspie, Matthew Dunehoo of Loose Park), Berwanger can capture an audience and keep it engaged—a feat many lead vocalists haven’t quite figured out yet. His obvious charm, coupled with the group’s grooving power pop anthems, warmed the audience up for Cowboy Indian Bear.
 
 
Cowboy recently announced that it would take a hiatus after LFDF, resulting in a lengthy, heartfelt, double-encore show. The band played several songs off its acclaimed 2013 album Live Old, Die Young, and delivered a touching but fervent performance—one of the most dynamic, gargantuan performances I have personally witnessed from them.
 
 
And closing down LFDF was Stiff Middle Fingers, who wins the award for Most Spirited Audience of the fest. In true form, frontman Travis Arey riled up the crowd, inciting friendly mosh pits and audience members storming the stage.
 
 
The exuberant crowd chanted and shouted right along with Arey, also showing its gratitude for guitarist/fest curator Hawk. The group’s straight-up don’t-give-a-fuck punk style was the perfect environment to congregate in for LFDF’s swan song. The KC and Lawrence music communities let loose together, shouting “I ain’t no goddamn son of a bitch” as SMF busted out a Misfits cover, and locked in sweaty embraces to celebrate a job well done.
 
--Michelle Bacon
 
Michelle is editor of The Deli KC. She is in bands. She is the only person in the world not watching the World Cup right now and is sorry for that.
   

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Upcoming show: Stiff Middle Fingers/Scruffy and the Janitors/Black on Black at Bottleneck, 2.20.13

Two punk rock-leaning acts playing an all-ages show on a Wednesday night with a blues-driven garage rock band made up of teenagers. Weird? Perhaps. Worth $5? Yes sir.
 
On Wednesday February 20, three of the area’s best, most passionate bands will plant their flags on the stage at The Bottleneck: Black on Black and Scruffy and the Janitors will be laying out the lush red carpet as they support local hardcore punk aficionados Stiff Middle Fingers
 
Black on Black, a punk three-piece, claims to play and live the music that drives them. One listen to the EPs Help Yourself and the upcoming Let’s Get Cynical and you will know this statement is not just more pseudo-punk posturing from some mall punk rockers, this band practices what it preaches. Influenced by luminaries of the hardcore scene like Fugazi, Gorilla Biscuits, Bad Religion, OFF!, and Bad Brains as well as the alternative leaning Dinosaur Jr., The Melvins, and Archers of Loaf, Black on Black embraces the ominous tones of garage rock, the all-out audial assault of massive volume legends like Swans and storytelling like that of Husker Dü. Make sure to show up early for some punk rock storytelling truth. If you dig Vampire Weekend, stay home.
 
Bands charging out of the fertile music scene of St. Joseph are all the rage. First was Dsoedean, the indie rock-leaning band with an affinity for Built to Spill and expertly crafted songs. Next—and the one to make the biggest boom thus far—was Radkey, the punkish trio of brothers that no one can seem to get enough of right now. Now it is Scruffy and the Janitors’ turn to test the waters, to bask in the light. Scruffy (Steven Foster, Teriq Newton, and Trevin Newton) takes its love of ‘90s alternative bands like Mudhoney and Nirvana, blends them with The Animals, The Kinks, Led Zeppelin, and The Stones while embracing more recent garage acts such as The White Stripes and The Strokes. For good measure, Scruffy shakes some Skip James, Little Walter, and Son House in the mix for good measure. Driven by their debut release, last year’s Pino and an ever-solidifying live show, Scruffy is definitely a band to keep an eye in the future. The four will go all the way, if they don’t melt their amps first.
 
Stiff Middle Fingers, an action-packed local favorite, cover tunes from legendary bands from the world of punk like Stiff Little Fingers, Descendents, Black Flag, and Minor Threat as well as original tracks as skull rattling as “Common Cents,” “World Biggest Guillotine,” and “Psycho Bitch,” from last year’s million volt-charged debut Enemies with Benefits (see our review here). Frontman Travis Arey is a remarkable sight to witness as he runs around, microphone in hand, with the boundless energy of a hyperactive kid eating a 10-pound bag of sugar and doing lines with a pixie stick. Arey stands on tables, runs to the bar, having people sing along; he just wants you all to enter his world for an hour or so. He is the embodiment of Henry Rollins if Henry were ever in a good mood. The band behind him plays like there’s nothing left to lose. Cameron Hawk attacks his guitar, playing with the speed of a hummingbird, Barry Swenson’s bass work is as good as it is bowel shaking, and JP Redmon plays the drums like the bastard son of Bill Stevenson and the goddamned Energizer Bunny.
 
If you want to see where music is heading in the region, that there are indeed great bands out there willing to give all of themselves for the sake of the show and the crowd—be it five or five thousand strong, that care more about the music than their image, The Bottleneck is the place to be. If you like churned-out, radio-friendly “rock,” these probably are not the bands for you.
 
The Wednesday show will kick off at 8:00 pm with Black on Black, followed by Scruffy and the Janitors, and concluded by the explosive sounds of Stiff Middle Fingers. This is an all-ages show; cover is $5. Facebook event page here.
 
 
 
--Danny R. Phillips
 
Danny R. Phillips has been reporting on music of all types and covering the St. Joseph, MO music scene for well over a decade. He is a regular contributor to the national circulated BLURT Magazine and his work has appeared in The Pitch, The Omaha Reader, Missouri Life, The Regular Joe, Skyscraper Magazine, Popshifter, Hybrid Magazine, the websites Vocals on Top and Tuning Fork TV, Perfect Sound Forever, The Fader and many others. 
 

 

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