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Apocalypse Meow

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Apocalypse Meow 8 is coming up!

Midwest Music Foundation is proud to present the eighth annual Apocalypse Meow! Mark your calendars for November 6-8 and enjoy 3 nights of music at 3 great Kansas City spots for a very important cause.
 
 
Friday, November 6 at recordBar
Amy Farrand and the Like
Get your tickets here. 18+ / $7
 
 
Saturday, November 7 at Mills Record Company
A free, all ages show presented by The Deli KC!
 
Sunday, November 8 at Knuckleheads Saloon
 
Get your tickets here. 21+ / $15
 
Apocalypse Meow 8 benefits Abby’s Fund for Musicians’ Health Care, which provides emergency health care grants to musicians in need. Raffles will be held throughout the weekend and a silent auction will be held on Sunday at Knuckleheads, with items, gift certificates, and tickets donated by local businesses and organizations. Click here for a full list of items and contact rhonda@midwestmusicfound.org if you’d like to donate.
 
Huge thanks to all our sponsors, volunteers, and musicians that make this event possible each year! For more information and a full list of sponsors, please visit http://midwestmusicfound.org/apocalypse-meow-2015
 
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Apocalypse Meow 6 Preview: Sister Mary Rotten Crotch

Sister Mary Rotten Crotch. Try saying that name without making some sort of judgment about the music.
 
Not that your judgment would necessarily be wrong. We’ll let the band describe what they sound like, but it’s every bit as gritty and rowdy as you’d hope. The band got its start 15 years ago and reunited less than a month ago. Its last show was at the very first Apocalypse Meow. On the eve of the sixth and largest Meow yet, we talk to the four-piece to see what they’re up to and what they’ve been up to over the past few years.
 
The Deli: In a sentence, describe what Sister Mary sounds like.
 
Alison Dunlop-Sanders: Smirk, if you say it really fast.
 
Liz Spillman Nord: Your mom, when she's really pissed you didn't do the dishes or pick up your room, and you're getting an F in math... yep, that's what it sounds like.
 
Amy Farrand: Fun for the entire family.
 
Brent (Tammy) Kastler: Apple pie and Chevrolet. 'Merica dammit!
 
The Deli: Why did you decide to reunite now instead of moving on to your other respective projects and not turning back?
 
Alison: Personally, because no other band or project will have me. I can play only Sister Mary stuff, if I play anything else it'll sound like Sister Mary stuff. Who wants that?
 
Liz: We reunited because Alison wanted us to play the Mid-America Bully Rescue benefit. Collectively, I think, we decided we were having too much fun and we should ride the ride until the ride isn’t fun anymore.
 
Amy: It's the 15-year anniversary of the beginning of it all. Why not?
 
Tammy: Cause we are that good, damnit! We do what we want!
 
The Deli: What other projects have each of you been in through the years?
 
Alison: I was in the Itty Bitty Biggy Titty Band in my teens. We never actually played. Anything. And I played bass for The Skags for like 15 minutes, I loved it! Big fan of Rudy.
 
Liz: I think the music projects fall to Amy and Brent. Alison and I have focused on visual stuff long before the band, during the band, and after the band. I’ve spent the last several years trying to create little musicians of my own with my kids, so I guess that’s my music project. I like to play the piano with my son when he practices his bass. I force him to improv.
 
Amy: I'll just go over the ones since the old days. Shotgun Idols (guitar), American Catastrophe (bass), Whiskey Boots (drums), Rural Grit All-Stars (miscellaneous instruments), Experimental Instrument Orchestra (various homemade and experimental instruments), Dangerhand (drums), Atlantic Fadeout (drums), The Silver Maggies (theremin/percussion) Solo work.
 
Brent: In no particular order. Anti-state (bass) element (bass) the great planes (bass) the radtones (bass) chad Rex and the victorstands (bass) waiting for signal (bass) salt the earth (bass) spinal tap (drums) poison (vocals) milli vanilli ( backup dancer ).
 
The Deli: Have you written much new material or playing mostly material from before?
 
Alison: We haven't written anything new yet. But we have brought back some stuff that's new to Amy Lu and Tammy.
 
Liz: So far we have concentrated on our existing material. Amy and Brent have had to learn some songs that were crafted during the two John (John Barker and Jon Cagle) era. I have couple of little numbers in my head, and a draft on paper. We’ll tackle those following Apocalypse Meow. They will need massaged by the better poets in the group. Fortunately, there isn’t a shortage of stories or people to write about.
 
The Deli: What have been some of your biggest accomplishments as a band?
 
Alison: Epically bad humor. Epic, man.
 
I concur with Liz on our biggest accomplishments. I'm not even sure WE thought we'd pull it off, and I'm pretty damn sure no one else did. It really was kinda kismet. It didn't occur to us to NOT do it, we just kept plugging away without looking up in a way. We did shit we didn't even know how to do, but since we didn't know we couldn't do it we did. And we were so lucky to have amazingly talented people come along that never pointed it out, which was fucking awesome. We also had awesome support from other local musicians, who were also polite enough not to say "what the fuck are you doing?" hah. I freaked out once because I really have one style, that's it, I can't play other stuff because I have wackafied rhythms that I can't seem to not have so I went crying to John Cutler about it when he practiced upstairs from us at El Torreon with Parlay and he was like "so fucking what? Embrace that shit, you have a style. Own it." He probably doesn't even remember that but it totally made an impact on me. I was seriously ready to quit playing all together before that. I still have no fucking idea what I'm doing but fuck it. I'ma do it anyway. And I'm hurt that Liz is going to have a slumber party at Tammy's without me.
 
Liz: Some might say our Pitch awards are our biggest accomplishment, but I would argue that the biggest and best accomplishment is that after 15 years, we can still call ourselves a band. Granted, we’ve had some long breaks and a few changes in line-up, but considering this was really a gimmick when we started, this is pretty amazing. I will never forget the moment on Rico’s porch, July 4, 1998, when Alison said to Hannah and me, “Hey, I’m learning to play the guitar… thinking about starting a band. Wanna be in a band?” Me: “Sure, I’ll play Tim’s bass.” Meanwhile, Aaron was making bombs out of sparklers, and Tanya was telling the story about breaking her tailbone during childbirth. I’m pretty sure guns were shot into the ground in the back yard that day, and god knows what else. I don’t remember much after my kids were born, but I remember that day. What followed was a week-long discussion about the name… Sister Mary Sodomy was on the table, among others, and I believe Kathy Dunlop gave some solid advice.
 
Tammy: That we are still doing it! After all of the years and line up changes, time off. We can still get in a room and spend more time laughing than playing tunes. We have fun dammit!
 
The Deli: How do you think the music scene has changed around here since you all last performed together? Is it better? Any local bands you're really into right now?
 
Alison: I do not really know. Big fan of The Big Iron and Red Kate fo sho. And Amy Farrand is a bad ass. I'm old and stay in a lot tho.
 
Liz: Sadly, my life for the last nine years has been sucked away by the suburbs. I’m fighting my way out right now… My kids have been, and continue to be, my priority, so my life discovering new music and being involved has revolved around elementary school picnics and yearbooks. I am finally at a spot where I’m comfortable concentrating on things that I love, so ask me that same question in six months.
 
Tammy: I'm really into puddle of mudd.
 
The Deli: You're headlining what hopes to be the biggest Apocalypse Meow yet. What does this mean to you?
 
Alison: We're headlining? ... It's an incredible honor for sure, if that's true. Little overwhelming. Now I'm scared.
 
Liz: There’s a little pressure that accompanies the headline spot, but I don’t think we’d be in that position if the decision makers didn’t have faith in us. It’s an honor for me to even be on stage with Amy, Brent and Alison. I think the world of them… all three have more talent in their little pinkies that most of us have in our whole bodies. The caliber of musicians that will be performing over the weekend blows me away, and I feel blessed to be part of it, even if it all ends tomorrow.
 
Amy: It's pretty cool for me. I do what I can for this cause. It's very close to my heart, and I want to see it continue for a very long time.
 
Tammy: I'm stoked to be playing. It's a great cause.
 
The Deli: What else do you have planned? Anything in the works for you all?
 
Alison: I do what they tell me. And I wanna write some shit. I like writing shit. And then convincing these crazy bitches to go along with it.
 
Liz: I plan on staying the night at Brent’s house sometime in the near future. That is all.
 
Amy: More shows. More recordings. More. Taking over the world.
 
Tammy: Trying to piss people off one song at a time. I'm looking forward to truth or dare and the pillow fights that are gonna happen when Liz comes over for the sleepover.
 
 
You can hear some of Sister Mary’s music at http://sistermaryrottencrotch.com.
 
Sister Mary will be headlining Apocalypse Meow tomorrow, November 2, at Knuckleheads. It kicks off at The Midwestern Musical Co. Doors open at 6 pm both nights. Friday’s show is free (and features Farrand’s other project The Silver Maggies) and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby's Fund for musicians' health care.
 
--Michelle Bacon
 
Michelle is editor of The Deli Magazine - Kansas City, and also plays drums Drew Black & Dirty Electric and bass in Dolls on Fire and The Philistines.
 

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Midwest Music Foundation Staff Spotlight: Michael Byars

The Midwest Music Foundation staff constantly works behind the scenes at live music events you have likely attended. They’re the ones who search for facilities, supply entertainment, coordinate with vendors, and generally ensure that your live music experience will be a good one. They’re also the ones that get the word out about musicians’ health care and other educational resources for musicians, filling a vital gap in the community.
 
Before the advent of the sixth annual Apocalypse Meow benefit, we hear back from some of the staff to find out what they do and why they do it. We’re talking here with Michael Byars, Executive Assistant.
 
The Deli: When and how did you first get involved with MMF?
 
Michael: I had fairly recently begun exploring the local music community after having gotten a glimpse of it from people I knew, and as I learned about more bands and artists and as I became acquainted with more of them, I wanted to do something to be more supportive than merely attending shows. When I learned about the MMF, I thought this might be an opportunity to serve those who I admire and respect because of their talent and the work they put in to create the amazing music I was so lucky to be exposed to.
 
The Deli: What is your current role with the organization?
 
Michael: I think my official title is assistant to Angela Lupton, one of the administrators. Unofficially I'm sort of a "maybe I can help here or do something there" volunteer, just trying to lend a hand or a voice wherever best needed. (Editor's note: He writes some damn fine reviews for The Deli KC, too!)
 
The Deli: Why is MMF such an important cause to you? What do you hope it will accomplish in the future?
 
Michael: It's important to me, and important in its own right, because the women and men who go up on the stages of recordBar, Davey's, The Brick, Liberty Hall, Knuckleheads, Replay Lounge, and various other locations in the Kansas City/Lawrence area provide a vital service: the music they make not only serves as an expression of their art, it draws patrons to the bars and clubs and venues. It's a cycle of support that's very fragile and needs to be nurtured, and with the MMF offering a somewhat more secure future for the musicians of our area—maybe that little easing of the mind will help them take their music further by allowing them to focus more on the creative side as opposed to constant concern over the fiscal side.
 
The Deli: Who are some of your favorite local artists?
 
Michael: This is a difficult question; it's like asking me, "Who are your 724 favorite children?!" There are so many incredibly talented people who add to such a widely diverse palette of sonic entertainment that it really depends on what kind of mood I'm in and what soundtrack would best suit that mood. Just to rattle off a few: The Pedaljets, The Conquerors, Grisly Hand, Betse Ellis, The Blackbird Revue, Cowboy Indian Bear, The Philistines, Be/Non, Lennon Bone, Vi Tran Band... and I know I've left out loads more.
 
The Deli: Do you have a favorite memory of a past Meow? 
 
Michael: I think my personal favorite Meow was in 2011, because it was my first one as an official volunteer, and while I was floating around and doing what I could do to help wherever I was needed, I started taking pictures—but not only of the performers; I wanted to capture some of the staff and attendees in natural, unposed settings to try to show some of the work that went into putting on such an ambitious event. I think that may have been when I first felt as if I really was fitting in to the community in a way, because I got to share laughter (and a healthy amount of Jim Beam) with some of the finest people I've ever had the privilege of knowing. It was a successful event from a fundraising perspective, but from a personal standpoint it was successful beyond my wildest dream.
 
The Deli: What are you most looking forward to about this year's Meow?
 
Michael: Let's see... I'm looking forward to Knuckleheads as the Saturday setting because I love that space. If Mother Nature cooperates and lets us use the indoor and outdoor stages, it's going to be pretty special. Musically I'm excited to witness the debut of Kansas City's newest sensation, Chris Meck and the Guilty Birds, Friday night at Midwestern Musical Co., and Saturday will have so much going on that I'll try to catch a little of it here and there in between working on things and stuff and more things and even more stuff. I can't wait to see Freight Train & Rabbit Killer, I know Gregg Todt is going to close the acoustic portion of the evening with greatness, and Sister Mary Rotten Crotch... come on. Need I say more than that?
 
 

 

Say hello to Michael this weekend at Apocalypse Meow. It starts tomorrow, November 1 at The Midwestern Musical Co. and Saturday at Knuckleheads. Doors open at 6 pm both nights. Friday’s show is free and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby's Fund for musicians' health care.
 

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Midwest Music Foundation Staff Spotlight: Brenton Cook

 
(Photo by Forester Michael) 
 
The Midwest Music Foundation staff constantly works behind the scenes at live music events you have likely attended. They’re the ones who search for facilities, supply entertainment, coordinate with vendors, and generally ensure that your live music experience will be a good one. They’re also the ones that get the word out about musicians’ health care and other educational resources for musicians, filling a vital gap in the community.
 
Before the advent of the sixth annual Apocalypse Meow benefit, we hear back from some of the staff to find out what they do and why they do it. We’re talking here with Brenton Cook, Web Admin and Music Promotions Assistant.
 
The Deli: When and how did you first get involved with MMF?
 
Brenton: I guess MMF first came to my attention around 2010 as I was heading down to attend my first SXSW. That first year [the MMF showcase] was called Midwasteland Takeover and I had an absolute blast down there. In 2011 after spending some time with the staff at Murder Ballad Ball, I decided to volunteer some of my time and filled out the online volunteer form online at work one day. I heard back from Rhonda within an hour and I've been spending time on various projects with them ever since.
 
The Deli: What is your current role with the organization?
 
Brenton: My background is computers, particularly software programming. There was a real need for someone to handle all of the web updates when I started, so it just seemed natural that that's where I could help out best, so I've been the web administrator since I started, but I work on a lot of different stuff. You'll find me behind the MMF booth at a lot of events, or asking questions at the Musicians' Bootcamp, or working with bands to get tracks contributed for MidCoast Takeover samplers or the Midwestern Audio compilation series that I have been assembling.
 
The Deli: Why is MMF such an important cause to you? What do you hope it will accomplish in the future?
 
Brenton: I've always been such a music nerd and even though my experience in physically creating music is limited, I feel like I have a really good ear for it and a genuine passion to push Kansas City music further. That's one thing that I’ve found to be so great about MMF: the idea of helping form this community of musicians and music enthusiasts and make the most out of what is already here. And there are so many very talented musicians in this area. I'd like to see MMF continue to grow and provide more opportunities for everyone; be it more exposure, more musical connections or better health care and easier access to emergency medical funds. There are several similar organizations that are thriving in other music cities that I think serve as a good guide for what we could grow into.
 
The Deli: Who are some of your favorite local artists?
 
 
The Deli: Do you have a favorite memory of a past Meow? 
 
Brenton: Last year's Meow was pretty memorable. It was at the cavernous Beaumont Club, but we still did a pretty good job of filling the room, and the love and support was really felt. My favorite memory from Meow though was a sealed envelope casually handed into our donation jar. I knew the person who put it in there and couldn't resist opening it at the end of the night as we were counting up the proceeds. I was surprised to see a crisp $100 bill, and I knew that this was from a person that normally has to watch every dollar spent. It was a strange feeling at first, but I knew that this person wanted to share what they had with their music community.
 
The Deli: What are you most looking forward to about this year's Meow?
 
Brenton: I'm very interested to see Chris Meck’s new trio (The Guilty Birds) play songs for the first time. I just feel like this is going to be something really special. I'm also excited that day two is at Knuckleheads this year. I can't wait to see Meow fill that space full of people enjoying the music and be a witness to the outpouring of support for the local music community.
 
 
Say hello to Brenton this weekend at Apocalypse Meow. It starts tomorrow, November 1 at The Midwestern Musical Co. and Saturday at Knuckleheads. Doors open at 6 pm both nights. Friday’s show is free and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby's Fund for musicians' health care. 
 

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Midwest Music Foundation Staff Spotlight: Sondra Freeman

 
The Midwest Music Foundation staff constantly works behind the scenes at live music events you have likely attended. They’re the ones who search for facilities, supply entertainment, coordinate with vendors, and generally ensure that your live music experience will be a good one. They’re also the ones that get the word out about musicians’ health care and other educational resources for musicians, filling a vital gap in the community.
 
Before the advent of the sixth annual Apocalypse Meow benefit, we hear back from some of the staff to find out what they do and why they do it. Our first spotlight is on Sondra Freeman, Director of Promotions and Artist Relations.
 
The Deli: When and how did you first get involved with MMF?
 
Sondra: I met Rhonda [Lyne] at an event while buying raffle tickets from her. She explained what they were doing and I said I wanted to volunteer IMMEDIATELY, if not sooner. :)
 
The Deli: What is your current role with the organization?
 
Sondra: I handle all of the booking for fundraising events and serve as a liaison between the artist and the foundation. I am also in charge of radio, print, and television promotion, though I think they should find someone much more attractive to do television. 
 
The Deli: Why is MMF such an important cause to you? What do you hope it will accomplish in the future?
 
Sondra: MMF is important to me because I simply believe that musicians who remain true to their craft and make the sacrifices necessary to perfect it are worth taking care of. My ultimate goal is to be a small part of making being a musician a viable occupation. Imagine your life without music. I can't. 
 
The Deli: Who are some of your favorite local artists?
 
Sondra: Did you really just ask me that? The list would be too long! There are SO many. 
 
The Deli: Do you have a favorite memory of a past Meow? 
 
Sondra: Apocalypse Meow III will always hold a special place in my heart. It was my first. And the friends we've lost along the way were still with us. 
 
The Deli: What are you most looking forward to about this year's Meow?
 
Sondra: So many things. I'm looking forward to utilizing the amazing space Knuckleheads provides for an extra stage, and the auction items. I'm looking forward to the extra push that our campaign with Boulevard Brewing Co. will give us (more on the KC Pils campaign here). I'm looking forward to TWO bands that I've never seen before performing this year. Chris Meck, along with some of his friends, is building a guitar from scratch to raffle off. I’m REALLY excited about that. 
 
 
Freeman has lined up an all-star cast for this year’s Meow, with thirteen bands/artists over the weekend. It starts tomorrow, November 1 at The Midwestern Musical Co. and Saturday at Knuckleheads. Doors open at 6 pm both nights. Friday’s show is free and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby's Fund for musicians' health care.
 

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